Fox Lake District Library: Hot Titles

Book list *Starred Review* Now we all know how the story ends. But that only adds a certain frisson to this biography of the man who was determined to make a dent in reality. Shaping reality was what Jobs was about, not only in his extraordinary vision of how personal computers could remake the world but also in his personal life, where early forays into Eastern mysticism led to belief in what Star Trek called a reality distortion field Jobs believed reality was malleable and made others believe it, too. The book is filled with examples of projects that seemed impossible to complete but were completed and goals that appeared unachievable but were achieved all because Jobs insisted it could be done. Yet Jobs was no saint. Isaacson (along with many of Jobs' friends) posits that being given up for adoption gave him a brittle, callous edge, which likely led him to abandon a daughter he had out of wedlock. Juxatposed against Jobs' story are contrasting profiles of Apple cofounder Steve Wozniak, the actual engineer, who would benignly have given away the specs for designing personal computers (he did give low-level associates some of his Apple shares before it it went public), and Bill Gates, at different times Jobs' partner and rival. Isaacson, who has previously written about long-gone geniuses Benjamin Franklin and Albert Einstein, benefits this time from contact with his subject. Jobs gave the author 40 interviews for this book and asked his family and associates to cooperate. The result is a wonderfully robust biography that not only tracks Jobs' life but also serves as a history of digital technology. What makes the book come alive, though, is Isaacson's ability to shape the story as a kind of archetypal fantasy: the flawed hero, the noble quest, the holy grail, the death of the king.--Cooper, Ilene Copyright 2010 Booklist

Library Journal Isaacson's (Einstein: His Life and Universe) new biography of Steve Jobs (1955-2011) will satisfy the curiosity of all those looking to delve into the nitty-gritty details of the tech titan's life. Though it begins with a traditional sketch of his parents (both biological and adopted) and birth, the book quickly gets down to business: readers see the creation of the Apple I within the first 60 pages. Isaacson's primary focus is on Jobs's professional life, and chapters are often organized around a single product, e.g., the Mac or the iPod. Jobs emerges a man who cares deeply about the wares he sells and the companies he builds, but one who (famously) is all but unbearable for it. Starting his career smelly and shoeless, the eccentric Jobs even at the end of his life eschewed cancer treatment for nine crucial months on behalf of a strict, carrot-juice-heavy diet. Verdict Isaacson has produced a full, detailed account of an influential man's life, but the style never rises above that of a well-graded research paper. As for Jobs, readers will newly admire their iPhones but not the near-sadistic management style that produced them. [See Prepub Alert, 8/26/11.]-Molly McArdle, Library Journal (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly

by Jodi Kantor

by Christina Schwarz

Library Journal Why did Ruth's mother, Mathilda, drown on that fateful night in 1919 and Ruth survive? That is the central question that this novel sets out to answer. Mathilda's sister, Amanda, who has been nursing soldiers in Milwaukee (it is right after World War I), has returned to the family farm in rural Wisconsin. Mathilda and Ruth are there to help her return to a normal life. Yet a year later, Mathilda's husband returns from the war to find his wife drowned and his sister-in-law raising his daughter. So continues the tale through 1941, as we watch Ruth grow up and try to remember what happened that winter night. Along the way, Ruth befriends Imogene, who has a closer connection to the family than Ruth can imagine. The story is recounted partly through flashback and moves from first-person to third-person narrative. What results is a gripping tale of sisterly rivalry, family loyalty, and secret histories. Already optioned for a film by Miramax, to be directed by Wes Craven, this first novel is an engrossing read. Recommended for all public libraries.DRobin Nesbitt, Columbus Metropolitan Lib., OH Copyright 2000 Cahners Business Information.

Book list With all the realism of a Victorian morality play, this much-hyped first novel plays the tropes of dark family ties and darker family secrets, tied to a particular place. In Milwaukee, Amanda has been nursing soldiers home from World War I, but she returns, neurasthenic and tight-lipped, to the family farm on a lake. Her sister Matilda's husband, Carl, is off at war, and Mandy fits into Mattie's life with a fierce attachment to her and to her baby daughter, Ruth. But as the story moves back and forth in time, we learn that Mattie drowned in the lake one icy night; that Ruth remembers but Mandy denies her memories; and that Mandy has been mother to Ruth, filling her longing to have someone of her own. Carl's memories of his wife grow weak and suspicious; as Ruth gets older, other secrets Mandy holds grow in sinister importance. The tale is narrated in many voices and from multiple points of view, with every plotline and small detail coming round again. Unfortunately, the writing is stiff, and the armature of the plot is all too visible. Wes Craven may have a fierce old time turning this into a movie--rights have been optioned--but it isn't nearly of the intensity of, for example, Beth Gutcheon's More Than You Know [BKL F 15 00]. Buy as demand requires. --GraceAnne A. DeCandido

Publishers Weekly "Ruth remembered drowning." The first sentence of this brilliantly understated psychological thriller leaps off the page and captures the reader's imagination. In Schwarz's debut novel, brutal Wisconsin weather and WWI drama color a tale of family rivalry, madness, secrets and obsessive love. By March 1919, Nurse Amanda Starkey has come undone. She convinces herself that her daily exposure to the wounded soldiers in the Milwaukee hospital where she works is the cause of her hallucinations, fainting spells and accidents. Amanda journeys home to the family farm in Nagawaukee, where her sister, Mathilda (Mattie), lives with her three-year-old daughter Ruth, awaiting the return of her war-injured husband, Carl Neumann. Mattie's ebullient welcome convinces Amanda she can mend there. But then Mattie drowns in the lake that surrounds the sisters' island house and, in a rush of confusion and anguish, Amanda assumes care of Ruth. After Carl comes home, Amanda and he manage to work together on the farm and parent Ruth, but their arrangement is strained: Amanda has a breakdown and recuperates at a sanatorium. As time passes, Ruth grows into an odd, guarded child who clings to perplexing memories of the night her mother drowned. Why does Amanda have that little circle of scars on her hand? What is Amanda's connection to Ruth's friend Imogene and why does she fear Imogene's marriage to Clement Owen's son? Schwarz deftly uses first-person narration to heighten the drama. Her prose is spare but bewitching, and she juggles the speakers and time periods with the surety of a seasoned novelist. Rather than attempting a trumped-up suspenseful finale, Schwarz ends her novel gently, underscoring the delicate power of her tale. Agent, Jennifer R. Walsh at the Writers Shop. Literary Guild, Doubleday Book Club, Teen People and Mango Book Club main selections; film rights optioned by Miramax, Wes Craven to direct; foreign rights sold in Germany, France, the U.K., Japan, Italy, the Netherlands, Finland, Sweden and Denmark. (Aug.) Copyright 2000 Cahners Business Information.

School Library Journal YA-A wonderfully constructed gothic suspense novel set on a stark Wisconsin farm in 1919. The story goes backward and forward in time and is told by Amanda, her niece Ruth, and an omniscient narrator. The ties that bind the two women are as fragile as they are fierce and have their origin in the relationship of two sisters, Amanda and her sister Mattie, Ruth's mother. The narrative begins with Amanda as she recounts her childhood and the responsibility she came to feel for her younger sister and the parents who favored her younger sibling. Amanda finally wrests herself away from home to become a nurse, but her independence is short-lived. Overwhelmed and sickened by the care of the wounded, and heartsick over the love of a married man, she suffers a nervous breakdown and seeks solace by returning to the farm to help Mattie care for her tiny daughter as they await the return of Mattie's husband from World War I. But tragedy follows with Mattie's mysterious drowning during a winter blizzard and guilty lies soon engulf Amanda and threaten to change the lives of several others in the small rural community. A compelling complex tale of psychological mystery and maddeningly destructive provincial attitudes.-Jackie Gropman, Kings Park Library, Fairfax, VA Copyright 2000 Cahners Business Information.

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Abraham Lincoln Book Award Nominees

Hold tight

by Harlan Coben

Book list *Starred Review* The average person visiting an electronics store may be excited, confused, or bored. It takes a suspense master like Coben to realize the full pernicious potential, to extrapolate the eerie endgames, hidden in contemporary electronics. In thriller after thriller, Coben, who has a clutch of awards including the Edgar, Shamus, and Anthony, casts a variety of electronic gadgets as prime plot movers and shakers. His genius is to make the seemingly mundane terrifying. In his latest, computer spyware, text messages, and cell phones deliver a series of well-timed shocks to the family he focuses on and to the reader. Coben begins with a harrowing scene in which a woman is forced from a bar and brutally murdered. Cut to a seemingly unrelated scenario parents installing a program on their son's computer that can monitor his every keystroke. Throughout, Coben juxtaposes a serial killer's spree with a domestic drama centering on the ways that a friend's suicide has affected the son, his parents, and the entire neighborhood. A single message ( Just stay quiet and all safe ) shakes up the parents, who are soon spiked with terror as their son vanishes. Coben enhances the narration with shifting points of view and through the cryptic messages that follow the son's disappearance. He also brings the spate of serial killings closer and closer to the family. Fascinating.--Fletcher, Connie Copyright 2008 Booklist

Library Journal Coben (The Final Detail) continues to dominate the thriller genre in this latest examination of suburbia. Mike and Tia Baye's son Adam delivers typically teen angst to his befuddled family. As a precaution, Mike and Tia invest in a spyware program that will report every keystroke on Adam's personal computer so they can track his movements. The results terrify them, and then Adam disappears. Life moves forward, and the questions become complex: How far would you go to protect your family? How well do you know your children? Coben tackles the troubles not only of the Bayes but also of other families, creating a strikingly realistic X-ray of an entire neighborhood. A fast and exhilarating roller-coaster ride that you don't want to end, but hold on tight. Then take the time to hug your kids. A mandatory purchase. [See Prepub Alert, LJ 1/08.]--Jeff Ayers, Seattle P.L. Copyright 2008 Reed Business Information.

Publishers Weekly Parents will find this compulsive page-turner from Edgar-winner Coben (The Woods) particularly unnerving. A sadistic killer is at play in suburban Glen Rock, N.J., outside New York City, but somehow he's less frightening than the more mundane problems that send ordinary lives into chaos. How do you weigh a child's privacy against a parent's right to know? How do you differentiate normal teenage rebelliousness from out-of-control behavior? When and how do you intervene if suicidal signs appear? Other issues include single parenting; career versus family; marital honesty; and how much information you should share with a child at what age. Coben plucks each of these strings like a virtuoso as Mike and Tia Baye try to deal with the increasing withdrawal of their 16-year-old son, Adam, after a friend's suicide. A pair of brutal, seemingly senseless killings, punctuate the unfolding domestic troubles that ratchet up the tension and engulf the Baye family, their friends and neighbors in a web of increasing tragedy. The "this could be me" factor lends poignancy to the thrills and chills. (Apr.) Copyright 2008 Reed Business Information.

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