Kirkus
Copyright © Kirkus Reviews, used with permission.

Eight stories, four of them new, continue the author’s career-long project of expanding the mystery genre to include bigger crimes like slavery and deeper mysteries like the nature of evil. Two prison inmates set up to fight each other in “Big Midnight Special” move toward a finale that’s predictably eerie and violent but by no means inevitable. The romance in “The Wild Side of Life” is poisoned by echoes of racism and family history that doom it without opening the lovers’ troubled memories to new understanding. Aaron Holland Broussard and his grandfather, Hackberry Holland, both of them more than familiar to fans of Burke’s novels, run afoul of federal agents hunting down unauthorized Mexican immigrants in “Deportees,” and Aaron returns years later in “Strange Cargo,” the longest story here, haunted by his daughter’s death and eager to grasp his own from stomach cancer, to tangle with a bigoted sheriff, a prickly Black female detective, and a killer who’s apparently been transported from the past. The best stories are the most sharply focused: “Harbor Lights,” in which Aaron’s father, pressed by the FBI to keep quiet about a deadly German submarine that’s been shockingly close to the Louisiana coast, goes to a newspaper instead and sets off a deadly chain of events; “The Assault,” in which Professor Delbert Hatfield’s attempt to get justice for an attack against his brain-damaged daughter pits him against uncaring cops and neo-Nazis; and “A Distant War,” in which Francis Holland’s car trouble south of Colorado plunges him and his son into an inferno filled with racists, scammers, and a woman who claims she’s Jefferson Davis’ widow. Burke’s not a polisher bent on perfecting every word but a bard who can’t help returning to each story over and over again. Copyright © Kirkus Reviews, used with permission.