Horn Book
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Taking an underclass uprising as its starting point, this debut novel tackles the complex social and political aftermath from the intersecting perspectives of Tommy, son of an establishment leader, and Tamsin, daughter of one of the "August 5" rebels. As change progresses, both rise to leadership roles. A rushed climax detracts only slightly from thoughtful, realistic world-building and character development. (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus
Copyright © Kirkus Reviews, used with permission.

The daughter of a rebel leader and the son of a powerful feudal politician evaluate their potential roles in a revolution. Aeren's governance is based on a feudalistic caste structure in which privileged, land-owning Zunft largely exploit the working-class cottagers. The novel opens as Tamsin Henry follows her father's command to set a dockside warehouse on fire, part of his planned Aug. 5 revolution. In the process she's injured, and when Tommy, the son of a high-ranking politician, finds her unconscious in the woods, he rescues her, exposing his cottager sympathies. Soon the initial revolution fails, and the leaders, including Tamsin's father, are held in jail as civil unrest continues to grow. When Tamsin is sent to recuperate in the capital city, where Tommy attends boarding school, she exposes him to the truth of his father's cruelty. But both Tamsin and Tommy spend too much time dealing with fairly uninteresting daddy-angst, making their eventual transformations into revolutionary leaders implausible. The underdeveloped character voices also sap the chemistry from both a flat romance between Tamsin and a reporter and Tommy's bland friendship with some fellow students. The early-industrial settingnewspapers are printed with presses, and no modern means of communication existincludes a few steampunk flourishes that add little to the worldbuilding. A story about a revolution should be excitingthis one is not. (Fantasy. 12-15) Copyright Kirkus Reviews, used with permission.