Kirkus
Copyright © Kirkus Reviews, used with permission.

Klassen combines spare text and art to deliver no small measure of laughs in another darkly comic haberdashery whodunit. While not a sequel to I Want My Hat Back (2011), the story does include a hat, a thief (a little fish) and a wronged party (a big fish). This time, first-person narration follows the thief, whose ego far outstrips his size as he underestimates the big fish's tracking abilities. Meanwhile, much of the art follows the big fish on his hunt, creating a pleasing counterpoint with the text. For example, a page reading "he probably won't notice that it's gone" shows not the thieving piscine narrator but the big fish looking up toward the top of his own bare head; he clearly has noticed that his hat is gone, and the chase is on! Sublime book design exploits the landscape format, with dogged movement from left to right across the double-page spreads. This culminates in a page reading "I knew I was going to make it," as the little fish disappears on the recto into plants evocative of Leo Lionni's setting in Swimmy (1963), while a narrow-eyed big fish enters the verso. The little fish is clearly doomed--a fact coyly confirmed by wordless page turns revealing the big fish swimming away, now from right to left, hat firmly on head. Hats off! (Picture book. 4-8)]] Copyright Kirkus Reviews, used with permission.

School Library Journal
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PreS-Gr 3-Opening with "This hat is not mine. I just stole it," a small fish takes the listener into his confidence as he makes his getaway toward a place where he thinks that no one will ever find him. This unapologetic thief, his annoyed (and very large) victim, and a stool pigeon crab tell this wryly humorous and cautionary fish story. The outcome contains enough ambiguity that sensitive listeners can believe that the robber has more options than becoming a fish dinner. Irish narrator John Keating does a great job with a title that relies heavily on sight gags. Appropriately, his impudent robber is not particularly likable. Nevertheless, the listener empathizes with the brash little chap. A string ensemble, in a manner similar to Peter and the Wolf, accompanies the narration. A cello represents the larger fish, who never speaks, while a violin characterizes the smaller fish. The music ebbs and flows to match the story. Two versions are included on the CD. A gentle marimba riff signals page turns on the first version. The accompanying hardcover book is a "must" to truly enjoy this Caldecott Medal winner. Humor fans will love it.-Lisa Taylor, Ocean County Library, NJ (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal
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K-Gr 3-The narrative tension between text and art is as crystalline as the water at the bottom of the sea is murky in this tale of underwater mischief. The little fish in the stolen hat is absolutely sure he is going to get away with his crime, but attentive children will holler, "Look behind you!" (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal
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PreS-Gr 1-With this new creation, Klassen repeats the theme from I Want My Hat Back (Candlewick, 2011), but with a twist. The narrator here is the thief-a small, self-confident fish who has pilfered a little blue bowler from a big sleeping fish. He wastes no time or words in confessing his crime as he swims across the page announcing, "This hat is not mine. I just stole it." He continues his narrative with no regrets, but with a bit of rationalizing ("It was too small for him anyway.") as he swims to his hiding place, unaware that the big fish is in quiet pursuit. Readers, of course, are in on this little secret. When the two disappear into a spread filled with seaweed, the narration goes silent, and youngsters can easily surmise what happens as the big fish reemerges with the tiny blue bowler atop his head. Simplicity is key in both text and illustrations. The black underwater provides the perfect background for the mostly gray-toned fish and seaweed while the monochromatic palette strips the artwork down to essential, yet exquisite design. Movement is indicated with a trail of small white bubbles. This not-to-be-missed title will delight children again and again.-Carolyn Janssen, Public Library of Cincinnati & Hamilton County, Cincinnati, OH (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

*Starred Review* Klassen's authorial debut, I Want My Hat Back (2011), became one of the surprise picture-book hits of the year. This follow-up is really only related in its hat-theft theme, animal characters, deadpan humor, and a suggestively dark conclusion. Which might seem like everything, but whereas the first book featured light sleuthing by a semi-dopey bear looking to find his lost lid, this is a similar story from a fishy absconder's point of view. This hat is not mine. I just stole it, claims a minnow darting through the deep-sea black. He tells how he lifted it from a bigger fish. At each stage, the minnow reassures himself that he's gotten away with his perfect crime. We see it ain't so, as the big fish trolls along right behind him, right down to the minnow's final, prophetic double entendre: Nobody will ever find me. Once again, the simple, dramatic tension and macabre humor mesh splendidly with Klassen's knack for tiny, telling details and knockout page turns. Who knew hat thievery was such a bottomless well? HIGH-DEMAND BACKSTORY: Klassen's debut was a #1 New York Times best-seller and Geisel Honor Book. The publisher is rolling out a 15-city tour and pulling out all the publicity stops in support of this release.--Chipman, Ian Copyright 2010 Booklist

Publishers Weekly
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Like Klassen's very funny and much-praised I Want My Hat Back, this story involves a hat theft; this time, Klassen ups the ante by having the thief narrate. It's a small gray fish who has stolen a tiny bowler hat from a much larger fish ("It was too small for him anyway," the little fish sniffs. "It fits me just right"). Klassen excels at using pictures to tell the parts of the story his unreliable narrators omit or evade. "There is someone who saw me already," admits the little fish, about a goggle-eyed crab. "But he said he wouldn't tell anyone which way I went. So I am not worried about that." The spread tells another story; the crab betrays the small fish in a heartbeat, pointing to its hiding place, "where the plants are big and tall and close together." Readers hope for the best, but after the big fish darts in, only one of them emerges, sporting the hat. It's no surprise that the dominant color of the spreads is black. Tough times call for tough picture books. Ages 4-8. Agent: Steven Malk, Writers House. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

School Library Journal
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PreS-Gr 3-The picture book (Candlewick, 2012) of this title relies on the pause for turning pages, allowing readers to absorb the action more easily than the video. In both, a tiny fish steals a little blue bowler from a big sleeping fish and, without remorse, justifies his crime. ("It was too small for him anyway.") The book's pauses enhance the humor and build tension. The discordant, ominous strings that make up the video's soundtrack do much to build suspense. The blackout that occurs when the big fish follows the tiny one into dense seaweed might at first make viewers wonder what just happened and ask for a second viewing, but it is, indeed, a dramatic and effective conclusion. The art is true to Klassen's deceptively simple work, and where the film adds real humor is in the eyes of the characters. When the big fish wakes suddenly, his eyes roll upward toward where the hat should be, then they turn into slits as he determinedly pursues the perpetrator. Likewise, the crab's look of surprise seems to share the moment with viewers by staring, wide-eyed, directly at the camera. One may not have anticipated the thief having a British accent and may have also imagined his voice a great deal haughtier. Yet, narrator John Keating elicits sympathy for the thief. His delivery makes the fish seem more unwitting and misguided than disordered. Overall, well done.-Constance Dickerson, Cleveland Heights-University Heights Public Library, OH (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.