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Reviews for Far far away

by Tom McNeal.

Horn Book
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Jeremy Johnson Johnson can hear ghosts, and that's how Jacob Grimm, the story's narrator, becomes Jeremy's mentor and guardian. Sprightly, assured, and original, this story blends a small-town, middle-American, twentieth-century setting with the Grimm brothers' realms--to compelling and sometime chilling effect. The presence of a malevolent villain gives the story a shiver of horror as dark as any of the Grimm tales. (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Kirkus
Copyright © Kirkus Reviews, used with permission.

"Listen, if you will," whispers the ghost of Jacob Grimm to Jeremy Johnson Johnson and to the readers of this delightful, modern-day fairy tale. Jeremy has the rare ability to sense the spectral presence of those caught in the Zwischenraum between mortal life and the hereafter. Jacob Grimm has been a constant presence since Jeremy was 6, a stand-in for Jeremy's absent mother and his absent-minded father. Jacob takes his role as mentor and protector seriously, although his attempts to help Jeremy are not always successful. Jeremy's social standing is a little dubious--what teenager stands a chance with pretty girls when he spouts curses in German? But Ginger Boultinghouse falls for Jeremy after eating the village baker's enchanted Prince Cakes. The two get up to some pranks that lead them to one adventure after another. Things aren't what they seem in the village of Never Better, where kids have gone missing and evil is afoot. The tone of Jacob's narration captures the flavor of the Grimms' tales while blending humorously with Jeremy's ordinary, befuddled, teenage life. The boy and his spectral companion are a charming pair of storytellers with great mutual affection. Readers who love spotting allusions will appreciate this intelligent book's robust vocabulary, its inclusion of French, German and Swedish words, and the real scholarship behind it. (Fantasy. 11-15)]] Copyright Kirkus Reviews, used with permission.

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