Reviews for Leonardo Da Vinci

by Walter Isaacson

Choice
Copyright American Library Association, used with permission.

Who is not familiar with the versatile genius Leonardo da Vinci? He was an artist, scientist, innovator, and bold thinker, an icon on whom volumes have been written. But here comes a new biography by a biographer par excellence. Isaacson (Tulane Univ.) presents a wealth of fascinating material on the hero with superb clarity and erudition. We read about this unschooled scholar exploring optics and anatomy, fantasizing about technologies to be actualized centuries later, painting masterpieces; we consider his genius as a military engineer and architect. There is reference to the challenges Leonardo faced as a gay man (though in Florence's art world da Vinci was not alone). We read of his Vitruvian Man and that of Giacomo Andreas, about the range of the artist's attire, and much more of significant and trivial interest. There are thoughtful comments on the master's paintings and details on his stay with François I of France. The inclusion of many color reproductions adds considerably to the book's charm, besides making one feel that the price is a bargain. Leonardo's immense accomplishments jolt us to the recognition of what the human spirit is capable of. A must-read for all educated people and for those seeking to expand their education. Summing Up: Essential. All readers. --Varadaraja V. Raman, emeritus, Rochester Institute of Technology


Book list
From Booklist, Copyright © American Library Association. Used with permission.

*Starred Review* Isaacson's writings of late have been concerned with genius: biographies of Benjamin Franklin, Albert Einstein, and Steve Jobs. Now he takes on perhaps the ultimate genius, a man whose interest in art and science intertwined in spectacular ways. Putting together the life of Leonardo da Vinci (despite his own numerous entries in his famous notebooks) seems to have been a more complicated task for Isaacson than was presenting his previous subjects (and, of course, he had the advantage of numerous personal interviews with Jobs). On the surface, the book doesn't seem to reveal much more about the man personally illegitimate, gay, sometimes unfocused than does a solid encyclopedia entry. Ah, but when Isaacson discusses da Vinci's artistic and scientific endeavors, all manner of fascinating connections begin to emerge. With the strong advantage of having four-color images of Leonardo's work placed throughout his text, Isaacson can both show and tell, writing with assurance about the different influences on the artist's works, where his passions lay and overlapped. Leonardo's fascination with anatomical structure informed his paintings; his profound interest in math and the transformation of shapes influenced his inventions. His delight in staging theatricals led to dramas that offered interpretations of his allegorical art and drawings. Encompassing in its coverage, robust in its artistic explanations, yet written in a smart, conversational tone, this is both a solid introduction to the man and a sweeping saga of his genius.--Cooper, Ilene Copyright 2017 Booklist


Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

For this biography, Isaacson (Steve Jobs) used his subject's notebooks for his research since they helped to understand Leonardo as a person. Born illegitimate and middle class in the city of Vinci outside of Florence, Italy, Leonardo had a fascination with both science and art. This melding of both subjects was a main component of Renaissance life. The audiobook examines Leonardo's birth, early adulthood, his homosexuality, his works (e.g., The Last Supper; Mona Lisa), his contemporaries, including Michelangelo and Cesare Borgia (upon whom Machiavelli's The Prince was based), and his lasting impact. Alfred Molina does a wonderful job of telling this story. His accent and pronunciation make for a vivid listening experience. Isaacson narrates the introduction and conclusion, providing a more personal presentation of the material. The first CD contains a 111-page PDF with a time line, images from Leonardo's notebooks, his paintings and sculptures, and photographs of buildings and rooms where he lived. VERDICT A phenomenal title for fans of Isaacson's previous biographies, Renaissance life in Florence, and da Vinci himself. ["A must-read biography": LJ 10/15/17 starred review of the S. & S. hc.]-Jason L. Steagall, Gateway Technical Coll. Lib., Elkhorn, WI © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Publishers Weekly
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Praising the subject of this illuminating biography as "history's most creative genius," Isaacson (The Innovators) uses observations and insights in the 7,200 extant pages of notes Leonardo da Vinci left behind as interpretive touchstones for assessing the artist's life and work. The key to da Vinci's genius as an innovator, as Isaacson presents it, was his "ability to make connections across disciplines-arts and sciences, humanities, and technology" coupled with "an imagination so excitable that it flirted with the edges of fantasy." Proceeding chronologically through the artist's life-from his apprenticeship at age 14 in Florence under Andrea del Verrochio to his later years in the court of Ludovico Sforza in Milan and his death in France in 1519-Isaacson shows how da Vinci's inquisitiveness set him apart from his contemporaries but frequently distracted him from completing commissions or projects. The author portrays da Vinci's minor works and major works such as Vitruvian Man and The Last Supper as steps toward his execution of Mona Lisa, "a quest to portray the complexities of human emotion" that represents "the culmination of a life spent perfecting an ability to stand at the intersection of art and nature." Isaacson's scholarship is impressive-he cites not only primary sources but secondary materials by art critics, essayists, and da Vinci's other biographers. This is a monumental tribute to a titanic figure. Color illus. (Oct.) © Copyright PWxyz, LLC. All rights reserved.


Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Acclaimed biographer Isaacson (Steve Jobs; The Innovators) delves into the 15th and 16th centuries to examine the insatiable energy of Leonardo da Vinci (1452-1519). Primarily relying on da Vinci's notebooks (more than 7,200 pages) for his research, as they help to understand da Vinci as a person, the author argues early and often that his subject was not the most brilliant man who ever lived, simply the most curious one. For example, in his journals, da Vinci reminds himself to "describe the tongue of the woodpecker." The illegitimate son of a wealthy notary in Vinci, a town outside Florence, Italy, da Vinci had a fascination with science and art from a young age. This melding of subjects was a main component of Renaissance life. This book examines da Vinci's birth, young adulthood, sexuality, works (e.g., The Last Supper, The Mona Lisa), and contemporaries such as Michelangelo and Cesare Borgia (on whom Machiavelli's The Prince was based). Lastly, Isaacson explores the polymath's enduring impact. The time line, illustrations, notes, and index help to make this work a great reference tool. VERDICT Fans of Isaacson's previous epic works, the Renaissance, and da Vinci will find this a must-read biography.-Jason L. Steagall, Gateway Technical Coll. Lib., Elkhorn, WI © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Kirkus
Copyright © Kirkus Reviews, used with permission.

A majestic biography of "history's most creative genius."With many exceptional popular history books under his belt, Isaacson (History/Tulane Univ.; The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution, 2014, etc.) is close to assuming the mantle currently held by David McCullough. Here, Isaacson takes on another complex, giant figure and transforms him into someone we can recognize. The author believes the term "genius" is too easily bandied about, but Leonardo (1452-1519), from the tiny village of Vinci, near Florence, was "one of the few people in history who indisputably deservedor, to be more precise, earnedthat appellation." He was self-taught and "willed his way to his genius." With joyous zest, Isaacson crafts a marvelously told story "of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical." Like a child in a candy store, Isaacson often stops to exclaim; he shares his enthusiasm, and it's contagious. For the author, the starting point are da Vinci's notebooks, all 7,200 pages, the "greatest record of curiosity ever created." Da Vinci's groundbreaking, detailed drawings charted the inner worlds of the skull, heart, muscles, brain, birds' wings, and a working odometer, along with doodles and numerous to-do lists. In his iconic Vitruvian Man, completed when he was 38 and struggling to learn Latin, "Leonardo peers at himself with furrowed brow and tries to grasp the secrets of his own nature." Isaacson is equally insightful with the paintings, of which there are few. The Last Supper is a "mix of scientific perspective and theatrical license, of intellect and fantasy." Regarding the uncompleted Mona Lisa, he writes "never in a painting have motion and emotion, the paired touchstones of Leonardo's art, been so intertwined." As Isaacson wisely puts it, we can all learn from Leonardo. Totally enthralling, masterful, and passionate, this book should garner serious consideration for a variety of book prizes. Copyright Kirkus Reviews, used with permission.


Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

Screen, television, and stage actor Molina (Raiders of the Lost Ark, Not Without My Daughter), elegantly narrates Isaacson's sweeping biography of Leonardo da Vinci. Molina effortlessly navigates Italian place names and surnames, and there is a sharp intelligence throughout his performance, as he joins Isaacson in peeling back the layers of a man whose surviving notebooks are crammed with fantastic designs but only contain tantalizing hints of a personal life. Isaacson manages to piece together chronologically the artist's life from his apprenticeship at age 14 in Florence under Andrea del Verrochio to his death in France in 1519, focusing primarily on his evolution as an artist. Isaacson reads the foreword and the conclusion, in which he ruminates on the legacy of an artist whose trail of unfinished projects vastly outnumbers his completed works. The only hiccup in this excellent audio production is that the nearly 150 illustrations mentioned throughout are available in PDF form but are not easily accessible for those listening on the go. Still, it's a great performance by Molina and a pleasure to listen to. A Simon & Schuster hardcover. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

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