Kirkus
Copyright © Kirkus Reviews, used with permission.

A companion to the award-winning, groundbreaking March graphic memoir series, this is the final work completed by Congressman Lewis before his death in July 2020. What happened after the 1965 marches in Selma? Although segregation was no longer legal, America had not yet embraced true equality. Shortly after the passage of the Voting Rights Act of 1965, a six-day uprising took place in the neighborhood of Watts in Los Angeles, with similar protests in Chicago. (Readers will likely note parallels between these events and the 2020 protests.) With welcome frankness, Lewis recounts his tenure as chairman of the Student Nonviolent Coordinating Committee, being at odds with organizations like the NAACP and the Urban League, the repercussions of SNCC’s public stances against the Vietnam War and apartheid in South Africa, and the generational divide within SNCC. Lewis questioned his own effectiveness as a leader (and was eventually ousted), but his focus throughout the book is on the hundreds of unsung individuals who undertook the sometimes-deadly work that Black voter registration and other grassroots social justice efforts demanded. Compelling art perfectly captures the tension and terror of these troubled times, as told from Lewis’ memory with the backing of scholarly works and research. An intimate, powerfully revealing look at a crucial, complex time, through the eyes of a true American hero. (biographies, notes, sources, from the artist, about the authors, co-author’s note) (Graphic memoir. 12-adult) Copyright © Kirkus Reviews, used with permission.

Horn Book
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The story begun in the March graphic memoirs (rev. 1/14, 5/15, and 9/16) -- events of the civil rights movement as seen through the eyes of young activist (and later longtime Congress member) John Lewis -- continues in this first volume of a projected new series. It picks up after the Voting Rights Act of 1965, as Lewis questions his own effectiveness as SNCC (Student Nonviolent Coordinating Committee) chairperson. But Lewis's personal story is mostly a springboard to larger events. Depictions of efforts by segregationists to close or move polling stations; the unpunished 1966 murder of young Black man Samuel Younge Jr.; and the prevention of Julian Bond's being seated in the Georgia General Assembly show how white supremacists and segregationists were emboldened to maintain existing power structures. Taking over most art duties from March illustrator Powell (who illustrates the pages leading up to the title page), Fury renders emotionally devastating, often violent events and quieter moments with equal finesse. Her grayscale art is reminiscent of Powell's, but with cleaner-lined, less stylized figures. Extensive back matter includes biographical information on dozens of individuals, meticulous source notes, and additional background on both the civil rights movement and the book's creation. Most of the finished pages were completed before Lewis's death in 2020; plans are in progress for the series to continue with additional material he and Aydin worked on together. As informative and essential an addition to the nonfiction comic canon as its much-lauded predecessors. (c) Copyright 2023. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.