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Newbery Medal Winners
2017
The Girl Who Drank the Moon
Click to search this book in our catalog   Kelly Barnhill
2017
Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life
Click to search this book in our catalog   Asheley Bryan
2017
The Inquisitors Tale: Or, The Three Magical Children and Their Holy Dog
Click to search this book in our catalog   Adam Gidwitz>
 
2017
Wolf Hollow
Click to search this book in our catalog   Lauren Wolk
2016
Last Stop on Market Street
Click to search this book in our catalog   Matt De La Pena

Publishers Weekly Like still waters, de la Peña (A Nation's Hope) and Robinson's (Gaston) story runs deep. It finds beauty in unexpected places, explores the difference between what's fleeting and what lasts, acknowledges inequality, and testifies to the love shared by an African-American boy and his grandmother. On Sunday, CJ and Nana don't go home after church like everybody else. Instead, they wait for the Market Street bus. "How come we don't got a car?" CJ complains. Like many children his age, CJ is caught up in noticing what other people have and don't have; de la Peña handles these conversations with grace. "Boy, what do we need a car for?" she responds. "We got a bus that breathes fire, and old Mr. Dennis, who always has a trick for you." (The driver obliges by pulling a coin out of CJ's ear.) When CJ wishes for a fancy mobile music device like the one that two boys at the back of the bus share, Nana points out a passenger with a guitar. "You got the real live thing sitting across from you." The man begins to play, and CJ closes his eyes. "He was lost in the sound and the sound gave him the feeling of magic." When the song's over, the whole bus applauds, "even the boys in the back." Nana, readers begin to sense, brings people together wherever she goes. Robinson's paintings contribute to the story's embrace of simplicity. His folk-style figures come in a rainbow of shapes and sizes, his urban landscape accented with flying pigeons and the tracery of security gates and fire escapes. At last, CJ and Nana reach their destination-the neighborhood soup kitchen. Nana's ability to find "beautiful where he never even thought to look" begins to work on CJ as the two spot people they've come to know. "I'm glad we came," he tells her. Earlier, Nana says that life in the deteriorated neighborhood makes people "a better witness for what's beautiful." This story has the same effect. Ages 3-5. Agent: Steven Malk, Writers House. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list CJ and his nana depart church and make it to the bus stop just in time to avoid an oncoming rain shower. They board the bus, and while CJ is full of questions and complaints (why don't they have a car? why must they make this trip every week? and so forth), Nana's resolute responses articulate the glories of their rich, vibrant life in the city, as presented by the bus' passengers and passages. A tattooed man checks his cell phone. An older woman keeps butterflies in a jar. A musician tunes and plays his guitar. At last the pair arrive at the titular destination and proceed to the soup kitchen where, upon recognizing friendly faces, CJ is glad they came to help. Robinson's bright, simple, multicultural figures, with their rounded heads, boxy bodies, and friendly expressions, contrast nicely with de la Peña's lyrical language, establishing a unique tone that reflects both CJ's wonder and his nana's wisdom. The celebratory warmth is irresistible, offering a picture of community that resonates with harmony and diversity.--Barthelmess, Thom Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal K-Gr 2-After church on Sundays, CJ and his nana wait for the bus. It's a familiar routine, but this week CJ is feeling dissatisfied. As they travel to their destination, the boy asks a series of questions: "How come we gotta wait for the bus in all this wet?" "Nana, how come we don't got a car?" "How come we always gotta go here after church?" CJ is envious of kids with cars, iPods, and more freedom than he has. With each question, Nana points out something for CJ to appreciate about his life: "Boy, what do we need a car for? We got a bus that breathes fire." These gentle admonishments are phrased as questions or observations rather than direct answers so that CJ is able to take ownership of his feelings. After they exit the bus, CJ wonders why this part of town is so run-down, prompting Nana to reply, "Sometimes when you're surrounded by dirt, CJ, you're a better witness for what's beautiful." The urban setting is truly reflective, showing people with different skin colors, body types, abilities, ages, and classes in a natural and authentic manner. Robinson's flat, blocky illustrations are simple and well composed, seemingly spare but peppered with tiny, interesting details. Ultimately, their destination is a soup kitchen, and CJ is glad to be there. This is an excellent book that highlights less popular topics such as urban life, volunteerism, and thankfulness, with people of color as the main characters. A lovely title.-Anna Haase Krueger, Ramsey County Library, MN (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2015
The War that Saved My Life
Click to search this book in our catalog   Kimberly Brubaker Bradley

School Library Journal Gr 4-6-Bradley turns her keen historical eye from Monticello (Jefferson's Sons, Penguin, 2011) to the British home front during World War II. Ada isn't exactly sure how old she is; for as long as she can remember, she's been a virtual prisoner in her mother's third floor one-room apartment. She was born with a clubfoot and her mother uses her disability as an excuse to abuse her both emotionally and physically. Ada watches the world through the narrow confines of the apartment window, waves to neighbors in the street, and carefully gauges the danger of being beaten during each encounter with her hateful mother. She envies the freedom of her little brother, Jamie, who goes to school and generally roves the neighborhood at will. When her mother prepares to ship Jamie out to the countryside with other children being evacuated from London, Ada sneaks out with him. When the two fail to be chosen by any villagers, the woman in charge forces Susan Smith, a recluse, to take them in. Though Susan is reluctant and insists that she knows nothing about caring for children, she does so diligently and is baffled by the girl's fearful flinching anytime Ada makes a mistake. Though uneducated, Ada is intensely observant and quick to learn. Readers will ache for her as she misreads cues and pushes Susan away even though she yearns to be enfolded in a hug. There is much to like here-Ada's engaging voice, the vivid setting, the humor, the heartbreak, but most of all the tenacious will to survive exhibited by Ada and the villagers who grow to love and accept her.-Brenda Kahn, Tenakill Middle School, Closter, NJ (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 4-6-Bradley turns her keen historical eye from Monticello (Jefferson's Sons, Penguin, 2011) to the British home front during World War II. Ada isn't exactly sure how old she is; for as long as she can remember, she's been a virtual prisoner in her mother's third floor one-room apartment. She was born with a clubfoot and her mother uses her disability as an excuse to abuse her both emotionally and physically. Ada watches the world through the narrow confines of the apartment window, waves to neighbors in the street, and carefully gauges the danger of being beaten during each encounter with her hateful mother. She envies the freedom of her little brother, Jamie, who goes to school and generally roves the neighborhood at will. When her mother prepares to ship Jamie out to the countryside with other children being evacuated from London, Ada sneaks out with him. When the two fail to be chosen by any villagers, the woman in charge forces Susan Smith, a recluse, to take them in. Though Susan is reluctant and insists that she knows nothing about caring for children, she does so diligently and is baffled by the girl's fearful flinching anytime Ada makes a mistake. Though uneducated, Ada is intensely observant and quick to learn. Readers will ache for her as she misreads cues and pushes Susan away even though she yearns to be enfolded in a hug. There is much to like here-Ada's engaging voice, the vivid setting, the humor, the heartbreak, but most of all the tenacious will to survive exhibited by Ada and the villagers who grow to love and accept her.-Brenda Kahn, Tenakill Middle School, Closter, NJ (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list When word starts to spread about Germans bombing London, Ada's mother decides to send her little brother, Jamie, to the country. Not 11-year-old Ada, though she was born with a crippling clubfoot, and her cruel mother treats her like a slave. But Ada has painfully taught herself to walk, so when Jaime departs for the train, she limps along with him. In Kent, they're assigned to crotchety Susan, who lives alone and suffers from bouts of depression. But the three warm to each other: Susan takes care of them in a loving (if a bit prickly) way, and Ada finds a sense of purpose and freedom of movement, thanks to Susan's pony, Butter. Ada finally feels worthy of love and respect, but when looming bombing campaigns threaten to take them away from Susan, her strength and resolve are tested. The home-front realities of WWII, as well as Ada's realistic anger and fear, come to life in Bradley's affecting and austerely told story, and readers will cheer for steadfast Ada as she triumphs over despair.--Hunter, Sarah Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Bradley (Jefferson's Sons) examines WWII through the eyes of a disabled child eager to escape her life of neglect and abuse. With the threat of German bombs being dropped on London, most parents are anxious to get their children out of the city. But Ada's mother, shamed by her daughter's deformed foot, doesn't seem to care. Ada takes it upon herself to board an evacuee train with her younger brother and, without their Mam's knowledge, they arrive in a country village with a crowd of students. Malnourished and filthy, the siblings are placed with Miss Smith, a woman lacking any experience with children, who claims she isn't "nice." Nonetheless, she offers Ada and Jamie food, clothing, and security, and she owns a pony that Ada is determined to learn to ride. In this poignant story, Bradley celebrates Ada's discovery of the world outside her dismal flat, movingly tracing her growing trust of strangers and her growing affection for Miss Smith. Proving that her courage and compassion carry far more power than her disability, Ada earns self-respect, emerges a hero, and learns the meaning of home. Ages 9-12. Agent: Ginger Knowlton, Curtis Brown. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

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2015
Roller Girl
Click to search this book in our catalog   Victoria Jamieson

School Library Journal Gr 4-8-Twelve-year-old Astrid realizes that her interests are distinctly different from those of her best friend. Mesmerized while viewing a roller derby, she dreams of becoming a "Roller Girl" but discovers that the sport is considerably more daunting than she imagined and is not without physical, social, and emotional pain. Nevertheless, Astrid is determined to succeed. While this graphic novel provides interesting information about the sport, at its heart it is a story of friendship, exploring the tensions which test the girls' relationship as they move from childhood to adolescence. Astrid learns to be honest with herself, her mother, and her friends through a series of stressful events. The graphic novelist employs several excellent visual devices: angles to denote action and effective placement and space within panels. Jamieson's clever use of imagery is noteworthy. For example, desert and prehistoric depictions are used to suggest exaggerated perceptions of elapsed time. Her clothes shopping "hell" sequence is spot-on. Panels with stick figures are employed for comments, notes, and explanations. A prologue effectively frames the story and the realistic style with full-color art is reminiscent of the work of Raina Telgemeier. While at times some panels are a bit text-dense, the story will engage readers who will identify with Astrid as she deals with frustrations and disappointments. It will especially appeal to those whose aspirations fly in the face of convention. Offer this comic to fans of Telgemeier's Smile (Scholastic, 2010) and Laura Lee Gulledge's Page by Paige (Abrams, 2011).-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly When Astrid's mother takes her and her best friend Nicole to a roller derby event, Astrid is intrigued, but Nicole is left cold. The rift between them grows as Astrid signs up for derby camp, while Nicole opts for ballet. Astrid works her tail off, makes friends, finds a mentor in a star skater named Rainbow Bite, and, at last, appears in her first bout. She also undergoes some uncomfortable preadolescent ordeals before reconciling with Nicole, in scenes that Jamieson (Pest in Show), in her first graphic novel, keeps blessedly free of smarminess. Jamieson's full-color cartooning has a Sunday comics vibe, and her pacing is faultless. Astrid struggles to do right as she tries to understand her soured friendship with Nicole, and she narrates her own failures with heartwarming candor ("I don't know why I did it. I didn't mean to hit them"). When she comes up with an elaborate scheme to bolster a teammate's failing confidence and carries it off despite the pressure of their upcoming bout, readers will want to stand up and cheer. Ages 9-12. Agent: Paul Rodeen, Rodeen Literary Management. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Almost-middle-schooler Astrid (Ass-Turd to the mean girls) just isn't interested in the kinds of things everyone else is. Her BFF Nicole likes boys and ballet and the color pink, but Astrid's new obsession is tough, fast-paced Roller Derby. She thinks she and Nicole can spend their summer together at junior Roller Derby camp, but Nicole opts instead for ballet camp with Astrid's archnemesis. And when it turns out that Astrid isn't quite the Roller Derby prodigy she had hoped to be (she can barely master falling!), it seems both her summer and the impending start of junior high will be disasters. The bright, detailed, and colorful illustrations convey Astrid's scrappy personality while also focusing on the high-contact aspect of Roller Derby: the girls hip check and elbow one another right out of the panels. While learning the game, Astrid learns how to be a friend and, maybe, that not all friendships are forever. A touching look at the ups and downs of following one's dreams, in addition to introducing readers to a relatively unknown sport.--Reagan, Maggie Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

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2015
Echo
Click to search this book in our catalog   Pam Munoz Ryan

Publishers Weekly The fairy tale that opens this elegant trio of interconnected stories from Ryan (The Dreamer) sets the tone for the rest of the book, in which a mystical harmonica brings together three children growing up before and during WWII. Friedrich, an aspiring conductor whose birthmark makes him an undesirable in Nazi Germany, must try to rescue his father after his Jewish sympathies land him in a prison camp. In Pennsylvania, piano prodigy Mike and his brother, Frankie, get a chance to escape the orphanage for good, but only if they can connect with the eccentric woman who has adopted them. In California, Ivy Maria struggles with her school's segregation as well as the accusations leveled against Japanese landowners who might finally offer her family a home of their own. Each individual story is engaging, but together they harmonize to create a thrilling whole. The book's thematic underpinnings poignantly reveal what Friedrich, Mike, and Ivy truly have in common: not just a love of music, but resourcefulness in the face of change, and a refusal to accept injustice. Ages 10-14. Agent: Kendra Marcus, BookStop Literary Agency. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Gr 5-8-"Long before enchantment was eclipsed by doubt," a young boy named Otto lost in the woods is rescued by three sisters imprisoned there by a witch's curse. In return, he promises to help break the curse by carrying their spirits out of the forest in a mouth harp and passing the instrument along when the time is right. The narrative shifts to the 20th century, when the same mouth harp (aka harmonica) becomes the tangible thread that connects the stories of three children: Friedrich, a disfigured outcast; Mike, an impoverished orphan; and Ivy, an itinerant farmer's child. Their personal struggles are set against some of the darkest eras in human history: Friedrich, the rise of Nazi Germany; Mike, the Great Depression; Ivy, World War II. The children are linked by musical talent and the hand of fate that brings Otto's harmonica into their lives. Each recognizes something unusual about the instrument, not only its sound but its power to fill them with courage and hope. Friedrich, Mike, and Ivy are brought together by music and destiny in an emotionally triumphant conclusion at New York's Carnegie Hall. Meticulous historical detail and masterful storytelling frame the larger history, while the story of Otto and the cursed sisters honor timeless and traditional folktales. Ryan has created three contemporary characters who, through faith and perseverance, write their own happy endings, inspiring readers to believe they can do the same.-Marybeth Kozikowski, Sachem Public Library, Holbrook, NY (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list When Otto meets three ethereal sisters, he has no idea that the harmonica they enchant will one day save a life. Decades later, the very same harmonica makes its way to America, and in three sections, Ryan tells the stories of kids whose lives are changed by its music: Friedrich Schmidt, in 1933 Germany, whose father is a Jewish sympathizer; Mike Finnegan, an orphan in Philadelphia in 1935; and Ivy Lopez, living with her parents in California in 1942 while they take care of the farm of a Japanese family who has been sent to an internment camp. The magical harmonica not only helps each of the three discover their inborn musical talents but also gives them the courage to face down adversity and injustice. Though the fairy tale-like prologue and conclusion seem a bit tacked on, Ryan nonetheless builds a heartening constellation of stories around the harmonica, and the ultimate message that small things can have a powerful destiny is resoundingly hopeful. Harmonica tabs are included for readers who want to try their hands at the instrument.--Hunter, Sarah Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

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2015
The Crossover
Click to search this book in our catalog   Kwame Alexander

School Library Journal Gr 6-10-Twins Josh and Jordan are junior high basketball stars, thanks in large part to the coaching of their dad, a former professional baller who was forced to quit playing for health reasons, and the firm, but loving support of their assistant-principal mom. Josh, better known as Filthy McNasty, earned his nickname for his enviable skills on the court: ".when Filthy gets hot/He has a SLAMMERIFIC SHOT." In this novel in verse, the brothers begin moving apart from each other for the first time. Jordan starts dating the "pulchritudinous" Miss Sweet Tea, and Josh has a tough time keeping his jealousy and feelings of abandonment in control. Alexander's poems vary from the pulsing, aggressive beats of a basketball game ("My shot is F L O W I N G, Flying, fluttering.. ringaling and SWINGALING/Swish. Game/over") to the more introspective musings of a child struggling into adolescence ("Sit beside JB at dinner. He moves./Tell him a joke. He doesn't even smile..Say I'm sorry/but he won't listen"). Despite his immaturity, Josh is a likable, funny, and authentic character. Underscoring the sports and the fraternal tension is a portrait of a family that truly loves and supports one another. Alexander has crafted a story that vibrates with energy and heart and begs to be read aloud. A slam dunk.-Kiera Parrott, School Library Journal. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list The Bell twins are stars on the basketball court and comrades in life. While there are some differences Josh shaves his head and Jordan loves his locks both twins adhere to the Bell basketball rules: In this game of life, your family is the court, and the ball is your heart. With a former professional basketball player dad and an assistant principal mom, there is an intensely strong home front supporting sports and education in equal measures. When life intervenes in the form of a hot new girl, the balance shifts and growing apart proves painful. An accomplished author and poet, Alexander eloquently mashes up concrete poetry, hip-hop, a love of jazz, and a thriving family bond. The effect is poetry in motion. It is a rare verse novel that is fundamentally poetic rather than using this writing trend as a device. There is also a quirky vocabulary element that adds a fun intellectual note to the narrative. This may be just the right book for those hard-to-match youth who live for sports or music or both.--Bush, Gail Copyright 2014 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Josh Bell, known on and off the court by the nickname Filthy McNasty, doesn't lack self-confidence, but neither does he lack the skills to back up his own mental in-game commentary: "I rise like a Learjet-/ seventh-graders aren't supposed to dunk./ But guess what?/ I snatch the ball out of the air and/ SLAM!/ YAM! IN YOUR MUG!" Josh is sure that he and his twin brother, JB, are going pro, following in the footsteps of their father, who played professional ball in Europe. But Alexander (He Said, She Said) drops hints that Josh's trajectory may be headed back toward Earth: his relationship with JB is strained by a new girl at school, and the boys' father health is in increasingly shaky territory. The poems dodge and weave with the speed of a point guard driving for the basket, mixing basketball action with vocabulary-themed poems, newspaper clippings, and Josh's sincere first-person accounts that swing from moments of swagger-worthy triumph to profound pain. This verse novel delivers a real emotional punch before the final buzzer. Ages 9-12. Agent: East West Literary Agency. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

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2014
El Deafo
Click to search this book in our catalog   Cece Bell
2014
Brown Girl Dreaming
Click to search this book in our catalog   Jacqueline Woodson

Book list *Starred Review* What is this book about? In an appended author's note, Woodson says it best: my past, my people, my memories, my story. The resulting memoir in verse is a marvel, as it turns deeply felt remembrances of Woodson's preadolescent life into art, through memories of her homes in Ohio, South Carolina, and, finally, New York City, and of her friends and family. Small things ice cream from the candy store, her grandfather's garden, fireflies in jelly jars become large as she recalls them and translates them into words. She gives context to her life as she writes about racial discrimination, the civil rights movement, and, later, Black Power. But her focus is always on her family. Her earliest years are spent in Ohio, but after her parents separate, her mother moves her children to South Carolina to live with Woodson's beloved grandparents, and then to New York City, a place, Woodson recalls, of gray rock, cold and treeless as a bad dream. But in time it, too, becomes home; she makes a best friend, Maria, and begins to dream of becoming a writer when she gets her first composition notebook and then discovers she has a talent for telling stories. Her mother cautions her not to write about her family, but, happily, many years later she has and the result is both elegant and eloquent, a haunting book about memory that is itself altogether memorable.--Cart, Michael Copyright 2014 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 4-7-"I am born in Ohio but the stories of South Carolina already run like rivers through my veins" writes Woodson as she begins her mesmerizing journey through her early years. She was born in Columbus, Ohio in 1963, "as the South explodes" into a war for civil rights and was raised in South Carolina and then New York. Her perspective on the volatile era in which she grew up is thoughtfully expressed in powerfully effective verse, (Martin Luther King is ready to march on Washington; Malcom X speaks about revolution; Rosa Parks refuses to give up her seat only seven years earlier and three years have passed since Ruby Bridges walks into an all-white school). She experienced firsthand the acute differences in how the "colored" were treated in the North and South. "After the night falls and it is safe for brown people to leave the South without getting stopped and sometimes beaten and always questioned; We board the Greyhound bus bound for Ohio." She related her difficulties with reading as a child and living in the shadow of her brilliant older sister, she never abandoned her dream of becoming a writer. With exquisite metaphorical verse Woodson weaves a patchwork of her life experience, from her supportive, loving maternal grandparents, her mother's insistence on good grammar, to the lifetime friend she meets in New York, that covers readers with a warmth and sensitivity no child should miss. This should be on every library shelf.-D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Written in verse, Woodson's collection of childhood memories provides insight into the Newbery Honor author's perspective of America, "a country caught/ between Black and White," during the turbulent 1960s. Jacqueline was born in Ohio, but spent much of her early years with her grandparents in South Carolina, where she learned about segregation and was made to follow the strict rules of Jehovah's Witnesses, her grandmother's religion. Wrapped in the cocoon of family love and appreciative of the beauty around her, Jacqueline experiences joy and the security of home. Her move to Brooklyn leads to additional freedoms, but also a sense of loss: "Who could love/ this place-where/ no pine trees grow, no porch swings move/ with the weight of/ your grandmother on them." The writer's passion for stories and storytelling permeates the memoir, explicitly addressed in her early attempts to write books and implicitly conveyed through her sharp images and poignant observations seen through the eyes of a child. Woodson's ability to listen and glean meaning from what she hears lead to an astute understanding of her surroundings, friends, and family. Ages 10-up. Agent: Charlotte Sheedy Literary Agency. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.

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2014
Flora and Ulysses: The Illuminated Adventures
Click to search this book in our catalog   Kate DiCamillo
 
2014
Doll Bones
Click to search this book in our catalog   Holly Black

School Library Journal Gr 4-7-At 12 years old, lifelong friends Zach, Poppy, and Alice are ferociously clinging to their childhoods. Using old Barbies, pirate action figures, dolls from Good Will, and their imaginations, they have created an exciting world of characters in an elaborate game. Figuring heavily in their plotline is the Queen, an antique doll of bone china that belongs to Poppy's mother and is strictly off-limits to the kids. She's also incredibly creepy. When Zach's dad throws away his action figures, the boy is so devastated that he ends the game abruptly, leaving the girls hurt and confused. Shortly thereafter, Poppy reveals that the Queen is made of the bones of a dead girl named Eleanor who has been communicating with her at night. The doll appears to be filled with Eleanor's ashes, and she has promised Poppy that she will make their lives miserable if they don't journey to Ohio, find her grave, and bury her properly. After much persuading, Zach and Alice agree to the journey. The Queen gets scarier and scarier as unexplained events begin to occur along the way. Black has created protagonists who readers will care about, and amusing secondary characters, like a pink-haired librarian and a crazy bus passenger who seems to be able to see Eleanor. This novel is a chilling ghost story, a gripping adventure, and a heartwarming look at the often-painful pull of adulthood. Black-and-white illustrations actually tone down the scare factor a little, making this a perfect starter story for budding horror fans.-Mandy Laferriere, Fowler Middle School, Frisco, TX (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* A trio of adolescents goes on a quest to satisfy the demands of a ghost. Sounds like standard middle-grade fare, but in Black's absolutely assured hands, it is anything but. Zach, Poppy, and Alice have been playing the same make-believe game for years, one involving pirates and mermaids and, of course, the Great Queen a creepy, bone-china doll at Poppy's house. Then Poppy reveals that she's been haunted by a girl whose ground-up bones lie inside the Great Queen, so the doll must be properly buried. Begrudgingly, the three agree to play one last game and hope against hope for a real adventure, the kind that changed you. With heart-wrenching swiftness, Black paints a picture of friends at the precipice of adulthood; they can sense the tentative peace of youth that is about to be demolished. The tightly focused, realistic tale bladed with a hint of fairy-tale darkness feels cut from the very soul of youth: there is no sentimentality, no cuteness, only the painful, contradictory longing to move forward in one's life without leaving anything behind. Stories about the importance of stories ( Maybe no stories were lies, thinks Zach) don't come much more forthright and affecting than this one. Wheeler's sketches ameliorate some of the tension and dread not a bad thing. HIGH-DEMAND BACKSTORY: Black's best-selling Spiderwick Chronicles pave the way for this powerful stand-alone, which comes with an author tour, in-theater promos, and more.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Zach plays with dolls. Never mind that they're action figures, heroes in a wild, improvisational saga he acts out with friends Poppy and Alice. Never mind that he's a solid student and rising basketball star. Zach is 12, and his father has decided this must stop. While Zach's at school, the dolls go to the dump, and Zach is left with only rage. He quits the game, but Alice and Poppy haul him out for one more quest: a bus trip to lay to rest the Queen, a bone china doll that Poppy swears is made from the bones of a murdered girl. Another crazy quest from Poppy's fertile brain? Or could this ghost story be real? The wonderfully eerie doll, the realism of the kids' improbable logic, and the ache underlying every character's actions create as much a state of existential anxiety as narrative tension. Black captures the adolescent sense that things are about to explode before they get explained. And it's a darn good adventure, too. Ages 10-14. Author's agent: Barry Goldblatt, Barry Goldblatt Literary. Illustrator's agent: Jennifer Rofe, Andrea Brown Literary Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.

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2014
The Year of Billy Miller
Click to search this book in our catalog   Kevin Henkes

Book list Billy Miller is starting second grade, and though his teacher, Mrs. Silver, tells the class it is the Year of the Rabbit, Billy's father tells him it will be the Year of Billy Miller. Billy isn't sure. He's even more worried when he gets off on the wrong foot his first day, but as the months go on, Billy begins to shine. There are some wonderful moments here: when Billy brings his teacher silver items coins, a paper clip, a little rabbit to show her he's a nice boy; when he agonizes over how to tell his father that Papa is a babyish name; and a triumphant ending when poetry and self-confidence intertwine. But the school year also seems rushed, and some intriguing characters, like the annoying Emma, are barely touched. Harkening back to writers of an earlier era, like Eleanor Estes, Henkes never compromises his language. Words like replicated, diligently, and frustrated appear and that's on just one page. Since this is so age specific, older readers might pass it by. That would be too bad, because this is a story with a lot of heart and sweet insights into growing up. Illustrations unseen. High-Demand Backstory: There's no more versatile producer of children's books working today than Henkes. Libraries, with great justification, are always interested in what he's up to now.--Cooper, Ilene Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 1-3-The beginning of a new school year brings anxious moments for Billy Miller, a typical second grader at Georgia O'Keeffe Elementary School in a small Wisconsin town. His new teacher, Ms. Silver, uses chopsticks to hold her hair in place and know-it-all Emma Sparks is unfortunately one of his desk mates. Just as a school year is divided into quarters, the book is divided into four parts-"Teacher," "Father," "Sister," and "Mother"-each offering a new perspective on Billy's personality and development through his interactions with these well-developed characters. He begins the school year with a lump on his head from a family-vacation incident and navigates glitter homework fiascos, canceled sleepover plans, and sibling annoyances as readers see the year unfold through funny and often poignant situations. Billy himself might have been daunted by a book with more than 200 pages, but eager young readers will find this a great first chapter book to share or read solo.-Cheryl Ashton, Amherst Public Library, OH (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly It's the Year of the Rabbit, according to Billy Miller's new second-grade teacher. It's also the year of several dilemmas for the boy, including the fear he might "start forgetting things" due to bumping his head while on vacation over the summer. Then there's the habitat diorama that Billy is assigned-the bat cave he creates doesn't turn out quite like he'd hoped. Henkes's (Junonia) gentle slice-of-life novel, divided into four sections, humorously examines these and other plights while capturing the essence of Billy's relationships with four significant figures in his life: his teacher (who he accidentally insults on the first day of school); his stay-at-home, struggling-artist father; his sometimes annoying, sometimes endearing three-year-old sister; and his mother, about whom Billy must compose a poem to be presented at the end of the school year. Each segment introduces a new conflict that Billy manages to resolve without too much fuss or torment. The book's clear structure, concrete images, and just-challenging-enough vocabulary are smartly attuned to emerging readers, and its warmth, relatable situations, and sympathetic hero give it broad appeal. Ages 8-12. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

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2014
One Came Home
Click to search this book in our catalog   Amy Timberlake

Book list To find out what really happened to her purportedly dead sister, sharpshooting 13-year-old Georgie Burkhardt and her sister's one-time suitor Billy McCabe follow the trail of pigeon hunters and discover far worse going on near Placid, Wisconsin, in 1871. Georgie tells her story in a first-person narrative that rings true to the time and place. She is smart, determined, and not a little blind to the machinations of adults around her, including Billy, who has been sent by Georgie's storekeeper grandfather to follow her and keep her safe. She does notice that Billy is well made, but this is no love story; it's a story of acceptance, by Georgie, her family, and her small town. Timberlake weaves in the largest passenger pigeon nesting ever seen in North America, drought and fatal fires along Lake Michigan that year, a currency crisis that spawned counterfeiters, and advice on prairie travel from an actual handbook from the times. Historical fiction and mystery combine to make this a compelling adventure, and an afterword helps disentangle facts from fiction.--Isaacs, Kathleen Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 5-8-Thirteen-year-old Georgie Burkhardt can shoot better than anyone in Placid, Wisconsin. She can handle accounts and serve customers in her family's general store. What she can't do is accept that the unrecognizable body wearing her older sister's blue-green gown is Agatha. Determined to discover what happened after Agatha abruptly left town with a group of pigeoners, Georgie sets out to follow her route. In return for the loan of a mule, she reluctantly allows Billy McCabe, one of Agatha's suitors, to accompany her. The journey includes a menacing cougar and ruthless counterfeiters, but Georgie's narration offers more than action-packed adventure. She unravels the tangle of events that led to Agatha's sudden departure and acknowledges her own role. By turns humorous and reflective, Georgie's unique and honest voice includes confusion about her feelings for Billy and doubts about her ability to kill even in desperate circumstances. Timberlake seamlessly integrates information about two significant events that occurred in Wisconsin in 1871: the largest recorded nesting of passenger pigeons in spring and devastating firestorms in fall. Georgie's physical and emotional odyssey that occurs between those two events will linger in readers' minds.-Kathy Piehl, Minnesota State University, Mankato (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2014
Paperboy
Click to search this book in our catalog   Vince Vawter

School Library Journal Gr 6-9-After an overthrown baseball busts his best friend's lip, 11-year-old Victor Vollmer takes over the boy's paper route. This is a particularly daunting task for the able-armed Victor, as he has a prominent stutter that embarrasses him and causes him to generally withdraw from the world. Through the paper route he meets a number of people, gains a much-needed sense of self and community, and has a life-threatening showdown with a local cart man. The story follows the boy's 1959 Memphis summer with a slow but satisfying pace that builds to a storm of violence. The first-person narrative is told in small, powerful block paragraphs without commas, which the stuttering narrator loathes. Vawter portrays a protagonist so true to a disability that one cannot help but empathize with the difficult world of a stutterer. Yet, Victor's story has much broader appeal as the boy begins to mature and redefine his relationship with his parents, think about his aspirations for the future, and explore his budding spirituality. The deliberate pacing and unique narration make Paperboy a memorable coming-of-age novel.-Devin Burritt, Wells Public Library, ME (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* It's hot in Memphis during the summer of 1959 in all kinds of ways. Things heat up for the book's 11-year-old narrator when he takes over his pal Rat's paper route; meeting new people is a horror for the boy because he stutters. He only really feels comfortable with Rat and Mam, the African American maid who takes care of him when his parents are away, which is often. But being the paperboy forces him to engage in the world and to ask for payments from customers, like pretty, hard-drinking Mrs. Worthington and Mr. Spiro, who gives the boy the confidence to voice his questions and then offers answers that wondrously elicit more questions. Others intrude on his life as well. In a shocking scene, Ara T, the dangerous, disturbing junk man tries to take something precious from the boy. In some ways, the story is a set piece, albeit a very good one: the well-crafted characters, hot Southern summer, and coming-of-age events are reminiscent of To Kill a Mockingbird. But this has added dimension in the way it brilliantly gets readers inside the head of a boy who stutters. First-time author Vawter has lived this story, so he is able to write movingly about what it's like to have words exploding in your head with no reasonable exit. This paperboy is a fighter, and his hope fortifies and satisfies in equal measure.--Cooper, Ilene Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly The name of debut novelist Vawter's 11-year-old protagonist, Vincent Vollmer III, doesn't appear until the very end of this tense, memorable story-Vincent's stutter prevents him from pronouncing it. Vincent is an excellent listener and a keen observer, and the summer of 1959 presents him with the challenge of taking over a friend's paper route in segregated Memphis. He engages with several neighborhood customers and characters while on the job, gaining new awareness of varied adult worlds, racial tension, and inequality, as well as getting into some dangerous situations. Vawter draws from his own childhood experience at a time "when modern speech therapy techniques were in their infancy," he writes in an endnote, calling the story "more memoir than fiction." The story unfolds as Vincent's typewritten account of the summer, and inventive syntax is used throughout. Commas and quotation marks are verboten-Vincent isn't a fan of the former, since he has enough extra pauses in his life already-and extra spaces appear between paragraphs, all subtly highlighting his uneasy relationship with the spoken word. Ages 10-up. Agent: Anna Olswanger, Liza Dawson Associates. (May) (c) Copyright PWxyz, LLC. All rights reserved.

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2013
The One and Only Ivan
Click to search this book in our catalog   Katherine Applegate

School Library Journal Gr 3-7-This tender tale of friendship and hope is narrated by a silverback gorilla living at The Big Top Mall, a shabby, circus-themed roadside attraction. For years, Ivan was passively content. He had his art, unlimited bananas, and his friends: Stella (an elephant), Bob (a stray dog), and Julia (a human child). Ivan's eyes are finally opened to his deplorable surroundings when he loses a friend due to neglect. The last straw is when he witnesses the attraction's owner abusing Ruby, a newly acquired baby elephant. Thus, Ivan is inspired to take action. With some help from his human friends, his dream of a better life for all the Big Top's animals just might come true. The character of Ivan, as explained in an author's note, is inspired by a real gorilla that lived through similar conditions before being adopted by Zoo Atlanta. Applegate makes a powerful statement about the treatment of animals-especially those living in captivity-and reminds readers that all creatures deserve a safe place to call home. Castelao's delightful illustrations enhance this lovely story, and the characters will capture readers' hearts and never let go. A must-have.-Alissa J. LeMerise, Oxford Public Library, MI (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Inspired by a true story, Applegate (Home of the Brave) offers a haunting tale told from the perspective of Ivan, a silverback gorilla who has been confined to a small "domain" of concrete, metal, and glass for 27 years. Joining Ivan at the Exit 8 Big Top Mall and Video Arcade are Stella, an aging elephant, and Bob, a feisty stray dog. While other animals perform, Ivan makes art, watches TV, and offers melancholy assessments of their situation. When Ruby, an inquisitive baby elephant, arrives and Stella dies from neglect, her dying wish is for Ivan to help Ruby escape. The brief chapters read like free-verse poetry, the extra line breaks between paragraphs driving home the contrast between Ivan and humans, who in his opinion, "waste words. They toss them like banana peels and leave them to rot." As is to be expected, there's significant anthropomorphism, but Applegate is largely successful in creating a protagonist who can understand humans yet feels like a gorilla. Although Ivan's role in the events leading to their rescue reads as too human, readers will be left rethinking our relationship to animals. Final art not seen by PW. Agent: Wernick & Pratt Agency. Illustrator's agent: Kidshannon. Ages 8-12. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Ivan, a silverback gorilla, has lived in a glass, metal, and concrete enclosure at Big Top Mall and Video Arcade, conveniently located off I-95, for 27 years. Bored, he watches TV, draws pictures, throws me-balls (dried excrement) at visitors, and enjoys the company of a venerable elephant named Stella and a few other friends. After a baby elephant arrives, Ivan makes Stella a solemn promise that seems impossible to fulfill. The text, written in first person from Ivan's point of view, does a good job of vividly conveying his personality, emotions, and intelligence as well as creating a sense of otherness in his point of view. His story is based on the life of a gorilla now living at Zoo Atlanta. The book's wide-spaced lines, plentiful white space, and pleasing black-and-white illustrations make this a quicker read than the page count might suggest. Animals fans will enjoy this one.--Phelan, Carolyn Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 3-7-This tender tale of friendship and hope is narrated by a silverback gorilla living at The Big Top Mall, a shabby, circus-themed roadside attraction. For years, Ivan was passively content. He had his art, unlimited bananas, and his friends: Stella (an elephant), Bob (a stray dog), and Julia (a human child). Ivan's eyes are finally opened to his deplorable surroundings when he loses a friend due to neglect. The last straw is when he witnesses the attraction's owner abusing Ruby, a newly acquired baby elephant. Thus, Ivan is inspired to take action. With some help from his human friends, his dream of a better life for all the Big Top's animals just might come true. The character of Ivan, as explained in an author's note, is inspired by a real gorilla that lived through similar conditions before being adopted by Zoo Atlanta. Applegate makes a powerful statement about the treatment of animals-especially those living in captivity-and reminds readers that all creatures deserve a safe place to call home. Castelao's delightful illustrations enhance this lovely story, and the characters will capture readers' hearts and never let go. A must-have.-Alissa J. LeMerise, Oxford Public Library, MI (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2013
Splendors and Glooms
Click to search this book in our catalog   Laura Amy Schlitz

Book list *Starred Review* A brooding, Dickensian novel with a touch of fantasy and a glimmer of hope, Schlitz's latest opens in London in 1860, when lonely Clara, the only remaining child in a doctor's grief-stricken household, attempts to celebrate her twelfth birthday. Grisini the puppet master is engaged to perform, along with the two orphaned children, Lizzie Rose and Parsefall, who serve as his assistants. Clara bridges the class divide to befriend the children. After kidnapping Clara for ransom, cruel Grisini disappears, leaving Lizzie Rose and Parsefall struggling to survive on their own. They make their way to the country house of a bewitched woman whose magical amulet gives her amazing powers while draining away her humanity. There they learn certain grisly secrets involving their cruel master, Clara's fate, and the wealthy witch, who seeks to control them all. The magic of the storytelling here lies in the subtle depiction of menacing evil. After working its way insidiously through the characters' lives, it is defeated by the children, who grow in strength and understanding throughout the novel. Vividly portrayed and complex, the characters are well-defined individuals whose separate strands of story are colorful and compelling. Schlitz weaves them into an intricate tapestry that is as mysterious and timeless as a fairy tale. HIGH-DEMAND BACKSTORY: Schlitz's Newbery Medal winner, Good Masters! Sweet Ladies! Voices from a Medieval Village (2007) earned her a wide following, and librarians will be eager to see what she's up to next.--Phelan, Carolyn Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Anyone who thinks marionettes are creepy will have that opinion reinforced by this dark tale about three children at the mercy of an unscrupulous puppeteer and the witch who pulls his strings. Clara Wintermute asks her father, a wealthy doctor in 1860 London, to hire Professor Grisini and his Venetian Fantoccini to entertain guests at her 12th birthday party. Clara is stagestruck by the puppets and taken with one of Grisini's two assistants, the pretty, well-mannered orphan Lizzie Rose (the other assistant, Parsefall, is an urchin straight out of a Dickensian workhouse). After the puppet show, Clara disappears. Grisini is suspected, but he, too, vanishes. The fate of the three children becomes intertwined with Grisini's old flame, the witch Cassandra Sagredo. It's a fairly complicated plot, and although the pacing occasionally lags, Newbery Medalist Schlitz (Good Masters! Sweet Ladies!) delivers many pleasures-fully dimensional children, period details so ripe one can nearly smell them, and droll humor that leavens a few scenes of true horror. A highly original tale about children caught in a harrowing world of magic and misdeeds. Ages 9-13. Agent: Stephen Barbara, Foundry Literary + Media. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Gr 4-8-Victorian London could be a magical place: horse-drawn carriages, puppet shows, elaborate upper-class houses. Of course it could also be miserable: fog, filthy streets, shabby hovels where too many people live in too few rooms. Schlitz conjures both the magic and the mundane here. For Clara's 12th birthday, her parents hire a street performer to give a puppet show in their home. The puppeteer, Grisini, is so talented that he appears to be magical. His two orphaned assistants, Lizzie Rose and Parsefall, are envious of Clara's home and all its comforts. Clara vanishes the night of the puppet show, and Grisini and his assistants are the prime suspects. Then Grisini disappears, and Lizzie Rose and Parsefall must seek out the missing girl, with the sinister and mysterious help of a wealthy old witch. Schlitz uses such evocative language that readers will practically smell dirty London and then be relieved by the crisp, cold air in the countryside around the witch's crumbling mansion. The characters are recognizable tropes: the witch is rotting from the inside out; the orphans may be dirty and ill-bred, but they have spirit and pluck; the little rich girl is actually sad and lonely; the skinny puppeteer and the overly dramatic landlady are recognizably Dickensian. Yet, they are so well drawn that they are never caricatures, but people whom readers will cheer for, be terrified of, or grow to like. The plot is rich with supernatural and incredibly suspenseful elements. Fans of mystery, magic, and historical fiction will all relish this novel.-Geri Diorio, Ridgefield Library, CT (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2013
Bomb
Click to search this book in our catalog   Steve Sheinkin

Publishers Weekly In his highly readable storytelling style, Sheinkin (The Notorious Benedict Arnold) weaves together tales of scientific and technological discovery, back-alley espionage, and wartime sabotage in a riveting account of the race to build the first atomic weapon. The famous (Robert Oppenheimer) and infamous (spy Harry Gold) headline an enormous cast of characters, which also includes Norwegian resistance fighter Knut Haukelid, whose secret wartime missions prevented Hitler from acquiring an atom bomb. B&w portraits of key players appear in photo- montages that begin each of the book's four sections. Sheinkin pulls from numerous sources to supply every chapter with quotations that swiftly move the narrative forward. Suspenseful play-by-play moments will captivate, from the nuclear chain reaction test at the University of Chicago to the preparations for and dropping of the first bomb over Hiroshima. In a "genie out of the bottle" epilogue, details of the Cold War's escalating arms race and present-day weapons counts will give readers pause, especially Sheinkin's final thoughts: "It's a story with no end in sight. And, like it or not, you're in it." A must-read for students of history and science. Ages 10-up. (Sept.) ? (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Using some of the same narrative techniques he used in the YALSA Award for Excellence in Nonfiction-winning The Notorious Benedict Arnold (2010), Sheinkin shapes the story of the Manhattan Project into a dense, complicated thriller that intercuts the action with the deftness of a Hollywood blockbuster. There are more characters than readers will be able to handle, but they'll follow the three main threads. The first is a tale of spy versus spy, as Soviet informants infiltrate America's Los Alamos laboratory. The second tracks the heroism of Knut Haukelid as he parachutes into Norway to destroy Germany's heavy water plant. Most amazing is Robert Oppenheimer's assemblage of the greatest scientific minds in the U.S. (aka the world's largest collection of crackpots ), who under great duress design the most lethal weapon in history. Sheinkin's prose understandably favors plot machinations over character, and positioning photos in the back matter feels anticlimactic. Nonetheless, the painstakingly sourced narrative crackles and drives home the strange mix of pride and horror felt by the scientists who had just won the war but lost something of equal worth.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 5 Up-"Harry Gold was right: This is a big story." So begins this depiction of the "creation-and theft-of the deadliest weapon ever invented." As he did in The Notorious Benedict Arnold (Roaring Brook, 2010), Sheinkin has again brought his superior talent for storytelling to bear in what is truly a gripping account of discovery, espionage, and revolutionary changes in both physics and the modern world. This fascinating tale, packed with a wide cast of characters, focuses mainly on three individuals: spy for the Soviets Harry Gold, leader of the Manhattan Project J. Robert Oppenheimer, and Knut Haukelid, who sabotaged German bomb efforts while working for the Norwegian resistance. Sheinkin skillfully combines lucid, conversational snapshots of the science behind the atomic bomb with a fast-paced narrative of the remarkable people who made it possible and attempted to steal it. Handsomely designed and loaded with archival photos and primary-source documents, the accessible volume lays out how the bomb was envisioned and brought to fruition. While the historical information and hard facts presented here will likely be new to the intended audience, they in no way overwhelm readers or detract from the thoroughly researched, well-documented account. It reads like an international spy thriller, and that's the beauty of it.-Brian Odom, Pelham Public Library, AL (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly In his highly readable storytelling style, Sheinkin (The Notorious Benedict Arnold) weaves together tales of scientific and technological discovery, back-alley espionage, and wartime sabotage in a riveting account of the race to build the first atomic weapon. The famous (Robert Oppenheimer) and infamous (spy Harry Gold) headline an enormous cast of characters, which also includes Norwegian resistance fighter Knut Haukelid, whose secret wartime missions prevented Hitler from acquiring an atom bomb. B&w portraits of key players appear in photo- montages that begin each of the book's four sections. Sheinkin pulls from numerous sources to supply every chapter with quotations that swiftly move the narrative forward. Suspenseful play-by-play moments will captivate, from the nuclear chain reaction test at the University of Chicago to the preparations for and dropping of the first bomb over Hiroshima. In a "genie out of the bottle" epilogue, details of the Cold War's escalating arms race and present-day weapons counts will give readers pause, especially Sheinkin's final thoughts: "It's a story with no end in sight. And, like it or not, you're in it." A must-read for students of history and science. Ages 10-up. (Sept.) ? (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Using some of the same narrative techniques he used in the YALSA Award for Excellence in Nonfiction-winning The Notorious Benedict Arnold (2010), Sheinkin shapes the story of the Manhattan Project into a dense, complicated thriller that intercuts the action with the deftness of a Hollywood blockbuster. There are more characters than readers will be able to handle, but they'll follow the three main threads. The first is a tale of spy versus spy, as Soviet informants infiltrate America's Los Alamos laboratory. The second tracks the heroism of Knut Haukelid as he parachutes into Norway to destroy Germany's heavy water plant. Most amazing is Robert Oppenheimer's assemblage of the greatest scientific minds in the U.S. (aka the world's largest collection of crackpots ), who under great duress design the most lethal weapon in history. Sheinkin's prose understandably favors plot machinations over character, and positioning photos in the back matter feels anticlimactic. Nonetheless, the painstakingly sourced narrative crackles and drives home the strange mix of pride and horror felt by the scientists who had just won the war but lost something of equal worth.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 5 Up-"Harry Gold was right: This is a big story." So begins this depiction of the "creation-and theft-of the deadliest weapon ever invented." As he did in The Notorious Benedict Arnold (Roaring Brook, 2010), Sheinkin has again brought his superior talent for storytelling to bear in what is truly a gripping account of discovery, espionage, and revolutionary changes in both physics and the modern world. This fascinating tale, packed with a wide cast of characters, focuses mainly on three individuals: spy for the Soviets Harry Gold, leader of the Manhattan Project J. Robert Oppenheimer, and Knut Haukelid, who sabotaged German bomb efforts while working for the Norwegian resistance. Sheinkin skillfully combines lucid, conversational snapshots of the science behind the atomic bomb with a fast-paced narrative of the remarkable people who made it possible and attempted to steal it. Handsomely designed and loaded with archival photos and primary-source documents, the accessible volume lays out how the bomb was envisioned and brought to fruition. While the historical information and hard facts presented here will likely be new to the intended audience, they in no way overwhelm readers or detract from the thoroughly researched, well-documented account. It reads like an international spy thriller, and that's the beauty of it.-Brian Odom, Pelham Public Library, AL (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2013
Three Times Lucky
Click to search this book in our catalog   Sheila Turnage

Publishers Weekly Eleven years ago, Mo LoBeau arrived in Tupelo Landing, N.C., a newborn baby girl washed downstream during a hurricane and rescued by "the Colonel," a stranger who can't remember anything about his own past. Both are taken in by Miss Lana, owner of the Tupelo Cafe. Mo (short for Moses) loves the Colonel and Lana, but she can't curb her curiosity: isn't anybody missing a lucky newborn? Mo scratches this itch by sending messages in bottles to her "Upstream Mother." Into this implausible but hilarious premise arrives an out-of-town detective, a dead body (cafe customer Mr. Jesse), a long-forgotten bank robbery, and a kidnapping. This much plot might sink a story, but Turnage makes it work. Here is a writer who has never met a metaphor or simile she couldn't put to good use. Miss Lana's voice is "the color of sunlight in maple syrup," while "[r]umors swirl around the Colonel like ink around an octopus." But it's Mo's wry humor that makes this first novel completely memorable. "Boredom kills," she suggests as Mr. Jesse's cause of death. "I've had close brushes myself, during math." Ages 10-up. Agent: Melissa Jeglinski, the Knight Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list *Starred Review* Mysteries abound in this unusual book set in tiny Tupelo Landing, North Carolina, and narrated by Mo, or as she introduces herself, Miss Moses LoBeau, rising sixth-grader. First there are old mysteries. What was Mo's story before Colonel LoBeau rescued her from the creek as a newborn and took her in? And who was the colonel before amnesia wiped away his memory? But soon the plot thickens and more alarming questions arise. Who has murdered one of Tupelo Landing's most unlikable residents? Who is holding Mo's unofficially adoptive parents for ransom? How can she and her friend Dale rescue them? While the pace of the narrative is initially languid, the storytelling is always enjoyable, from the amusing early scene in which Mo and Dale make breakfast for the regulars at the cafe (peanut butter sandwiches with or without the drink du jour, Mountain Dew) to her continuing attempts to find her birth mother through messages launched in bottles. Later the pace quickens considerably as the mystery gains momentum, climaxing in an epic scene during a hurricane. Turnage's lively novel features a distinctive voice and a community of idiosyncratic characters whose interlocking stories are gradually revealed. A sequel is planned for 2013.--Phelan, Carolyn Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 4-7-Quick-thinking and precocious Mo LoBeau is hilarious in this modern-day mystery set in a small North Carolina town. The 11-year-old discovers the true meaning of family as she searches for her "upstream mother." As a baby, Mo was found washed ashore during a hurricane and has led a quiet life with the Colonel, a cafe owner with a hidden past, and Miss Lana, the fun and colorful cafe hostess. Then one day, this idyllic town is turned upside down by a murder investigation. The twists and turns in the plot will keep readers on their toes, and the humorous interactions between Mo and her quirky neighbors will keep them coming back for more. While the story is amusing and mysterious, the author also skillfully touches on tough issues such as alcoholism, spousal and child abuse, and underage drinking. The mood of the book stays light and keeps youngsters rooting for Mo in all of her adventurous endeavors, yet elicits empathy for the secondary characters as they endure and conquer challenging circumstances. While the overall theme is predictable, the solution to the mystery is not, and this book will leave readers hoping for more books about Mo and her gang.-Amy Shepherd, St. Anne's Episcopal School, Middleton, DE (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2013
Dead End in Norvelt
Click to search this book in our catalog   Jack Gantos

Book list Looks like a bummer of a summer for 11-year-old Jack (with a same-name protagonist, it's tempting to assume that at least some of this novel comes from the author's life). After discharging his father's WWII-souvenir Japanese rifle and cutting down his mom's fledgling cornfield, he gets grounded for the rest of his life or the rest of the summer of 1962, whichever comes first. Jack gets brief reprieves to help an old neighbor write obituaries for the falling-like-flies original residents of Norvelt, a dwindling coal-mining town. Jack makes a tremendously entertaining tour guide and foil for the town's eccentric citizens, and his warmhearted but lightly antagonistic relationship with his folks makes for some memorable one-upmanship. Gantos, as always, deliver bushels of food for thought and plenty of outright guffaws, though the story gets stuck in neutral for much of the midsection. When things pick up again near the end of the summer, surprise twists and even a quick-dissolve murder mystery arrive to pay off patient readers. Those with a nose for history will be especially pleased.--Chipman, Ian Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly A bit of autobiography works its way into all of Gantos's work, but he one-ups himself in this wildly entertaining meld of truth and fiction by naming the main character... Jackie Gantos. Like the author, Jackie lives for a time in Norvelt, a real Pennsylvania town created during the Great Depression and based on the socialist idea of community farming. Presumably (hopefully?) the truth mostly ends there, because Jackie's summer of 1962 begins badly: plagued by frequent and explosive nosebleeds, Jackie is assigned to take dictation for the arthritic obituary writer, Miss Volker, and kept alarmingly busy by elderly residents dying in rapid succession. Then the Hells Angels roll in. Gore is a Gantos hallmark but the squeamish are forewarned that Jackie spends much of the book with blood pouring down his face and has a run-in with home cauterization. Gradually, Jackie learns to face death and his fears straight on while absorbing Miss Volker's theories about the importance of knowing history. "The reason you remind yourself of the stupid stuff you've done in the past is so you don't do it again." Memorable in every way. Ages 10-14. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Gr 5-8-In 1962, Jack accidentally discharges his father's war relic, a Japanese rifle, and is grounded for the summer. When a neighbor's arthritic hands get the best of her, his mother lifts the restriction and volunteers the 12-year-old to be the woman's scribe, writing obituaries for the local newspaper. Business is brisk for Miss Volker, who doubles as town coroner, and Norvelt's elderly females seem to be dropping like flies. Prone to nosebleeds at the least bit of excitement (until Miss Volker cauterizes his nose with old veterinarian equipment), Jack is a hapless and endearing narrator. It is a madcap romp, with the boy at the wheel of Miss Volker's car as they try to figure out if a Hell's Angel motorcyclist has put a curse on the town, or who might have laced Mertie-Jo's Girl Scout cookies with rat poison. The gutsy Miss Volker and her relentless but rebuffed suitor, Mr. Spizz, are comedic characters central to the zany, episodic plot, which contains unsubtle descriptions of mortuary science. Each quirky obituary is infused with a bit of Norvelt's history, providing insightful postwar facts focusing on Eleanor Roosevelt's role in founding the town on principles of sustainable farming and land ownership for the poor. Jack's absorption with history of any kind makes for refreshing asides about John F. Kennedy's rescue of PT-109 during World War II, King Richard II, Francisco Pizarro's conquest of Peru, and more. A fast-paced and witty read.-Vicki Reutter, Cazenovia High School, NY (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2013
Inside Out and Back Again
Click to search this book in our catalog   Thanhha Lai

School Library Journal Gr 4-6-A story based on the author's childhood experiences. Ha is 10 when Saigon falls and her family flees Vietnam. First on a ship, then in two refugee camps, and then finally in Alabama, she and her family struggle to fit in and make a home. As Ha deals with leaving behind all that is familiar, she tries to contain her temper, especially in the face of school bullies and the inconsistencies of the English language. She misses her papaya tree, and her family worries about friends and family remaining in Vietnam, especially her father, who was captured by Communist forces several years earlier. Told in verse, each passage is given a date so readers can easily follow the progression of time. Sensory language describing the rich smells and tastes of Vietnam draws readers in and contrasts with Ha's perceptions of bland American food, and the immediacy of the narrative will appeal to those who do not usually enjoy historical fiction. Even through her frustration with her new life and the annoyances of her three older brothers, her voice is full of humor and hope.-Jennifer Rothschild, Prince George's County Memorial Library System, Oxon Hill, MD (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* After her father has been missing in action for nine years during the Vietnam War, 10-year-old Hà flees with her mother and three older brothers. Traveling first by boat, the family reaches a tent city in Guam, moves on to Florida, and is finally connected with sponsors in Alabama, where Hà finds refuge but also cruel rejection, especially from mean classmates. Based on Lai's personal experience, this first novel captures a child-refugee's struggle with rare honesty. Written in accessible, short free-verse poems, Hà's immediate narrative describes her mistakes both humorous and heartbreaking with grammar, customs, and dress (she wears a flannel nightgown to school, for example); and readers will be moved by Hà's sorrow as they recognize the anguish of being the outcast who spends lunchtime hiding in the bathroom. Eventually, Hà does get back at the sneering kids who bully her at school, and she finds help adjusting to her new life from a kind teacher who lost a son in Vietnam. The elemental details of Hà's struggle dramatize a foreigner's experience of alienation. And even as she begins to shape a new life, there is no easy comfort: her father is still gone.--Rochman, Hazel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Narrating in sparse free-verse poems, 10-year-old Ha brings a strong, memorable voice to the immigrant experience as her family moves from war-torn South Vietnam to Alabama in 1975. First-time author Lai, who made the same journey with her family, divides her novel into four sections set in Vietnam, "At Sea," and the last two in Alabama. Lai gives insight into cultural and physical landscapes, as well as a finely honed portrait of Ha's family as they await word about Ha's POW father and face difficult choices (awaiting a sponsor family, "...Mother learns/ sponsors prefer those/ whose applications say ¿Christians.'/ Just like that/ Mother amends our faith,/ saying all beliefs/ are pretty much the same"). The taut portrayal of Ha's emotional life is especially poignant as she cycles from feeling smart in Vietnam to struggling in the States, and finally regains academic and social confidence. A series of poems about English grammar offer humor and a lens into the difficulties of adjusting to a new language and customs ("Whoever invented English/ should be bitten/ by a snake"). An incisive portrait of human resilience. Ages 8-12. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 4-6-Ten-year-old Ha and her family flee Saigon and struggle to make a new life in Alabama. Told in verse, the story features a spirited child who misses her homeland and faces bullies, unfriendly people, and perfectly horrid American food. A tender tale, leavened with humor and hope. (Mar.) (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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2013
Breaking Stalins Nose
Click to search this book in our catalog   Eugene Yelchin

School Library Journal Gr 5-7-Velchin skillfully combines narrative with dramatic black-and-white illustrations to tell the story of life in the Soviet Union under Stalin. Sasha Zaichik, the 10-year-old son of a member of the secret police, is bursting with pride because he is ready to become a Young Pioneer. He is equally excited that his father will be officiating at the ceremony. But then he watches as his father is taken away to prison, turned in by a neighbor vying for bigger living quarters. Sasha joins his peers in taunting Borka Finkelstein, their only Jewish classmate, even though readers sense that he doesn't really want to do it. The question of who is a good Communist underlies much of the plot. The book's intriguing title refers to Sasha's accidentally breaking the nose off a bust of Stalin. Borka, desperate to see his imprisoned parents, confesses to the action, with the hope that he will be taken to prison, too. Sasha does not admit his own guilt. Eventually disillusionment overtakes homeless Sasha as he waits in line to visit his father. Velchin's illustrations are filled with pathos and breathe life into the narrative. Though there are many two-dimensional characters, mostly among the adults, Sasha and Borka are more fully drawn. While the story was obviously created to shed light on the oppression, secrecy, and atrocities under Stalin's regime, Sasha's emotions ring true. This is an absorbing, quick, multilayered read in which predictable and surprising events intertwine. Velchin clearly dramatizes the dangers of blindly believing in anything. Along with Ruta Sepetys's Between Shades of Gray (Philomel, 2011), this selection gives young people a look at this dark history.-Renee Steinberg, formerly at Fieldstone Middle School, Montvale, NJ (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list Growing up under Stalin, Sasha Zaichik, 10, lives with his widower dad and 48 others in a crowded apartment with one kitchen and one toilet. Sasha's dream is to be like his father, serving the great leader and working in the State Security secret police. Then his dad is arrested: did a neighbor betray him? At school, Sasha is recruited to report on anticommunist activity. The present-tense narrative is true to the young kid's naive viewpoint, but the story is for older readers, especially as the shocking revelations reach the climax of what torture can make you confess. Picture-book illustrator Yelchin was raised in post-Stalinist Russia in the 1960s and left the country when he was 27. In his first novel, he uses the child's innocent viewpoint to dramatize the heartbreaking secrets and lies, and graphite illustrations show the terrifying arrests of enemies of the people, even children, like Sasha's classmate. In an afterword, Yelchin discusses the history and the brutal regime that affected millions.--Rochman, Hazel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Picture book author/illustrator Yelchin (Won Ton) makes an impressive middle-grade debut with this compact novel about a devoted young Communist in Stalin-era Russia, illustrated with dramatically lit spot art. Ten-year-old Sasha lives with his father, a State Security secret policeman whom he worships (almost as much as he worships Stalin), and 46 others in a communal apartment. The story opens on the eve of the fulfillment of Sasha's dream-to become a Young Soviet Pioneer-and traces the downward spiral of the following 24 hours, as he resists his growing understanding that his beloved Communist state is far from ideal. Through Sasha's fresh and optimistic voice, Yelchin powerfully renders an atmosphere of fear that forces false confessions, even among schoolchildren, and encourages neighbors and family members to betray one another without evidence. Readers will quickly pick up on the dichotomy between Sasha's ardent beliefs and the reality of life under Stalinism, and be glad for his ultimate disillusion, even as they worry for his future. An author's note concisely presents the chilling historical background and personal connection that underlie the story. Ages 9-12. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

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