Reviews for The monsters we defy

Publishers Weekly
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African American folk magic weaves through the alternate 1925 Washington, D.C., setting of this gorgeous fantasy from Penelope (the Earthsinger Chronicles series), in which magic-practicing humans choose to become indebted to powerful spirits—one of whom schemes to rule the human realm. Clara Johnson, herself indebted to a mysterious figure called the Empress, works as a typist while helping other Black folks with magic-related dilemmas on the side. A significant number of D.C.’s poor are coming down with a strange affliction and disappearing, but before Clara can investigate, the Empress cashes in a favor, tasking her with stealing an ancient ring from a wealthy opera singer. Clara reluctantly accepts, assembling a colorful crew to help pull off the heist: Zelda, her albino ex-circus performer roommate; Aristotle, a shape-shifting vaudeville actor; Israel, one of the hottest jazz musicians on Black Broadway; and Jesse Lee, Israel’s memory-altering, war veteran cousin. As threats grow from all sides, the group finds strength and answers in stories of their ancestors while coming to terms with how their pasts shape the future. Penelope’s blend of fantasy and history is pitch perfect, with wit, romance, and a lovable found family thrown in for good measure. Readers will be wowed. Agent: Sara Megibow, KT Literary. (Aug.)


Book list
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Clara Johnson communes with spirits, often brokering deals on their behalf. Clara tries to warn desperate neighbors off these deals, knowing every charm a spirit bestows comes with a trick, but her own gift means she cannot outright refuse. When locals go missing, however, Clara uses her gift to help and soon discovers that a wealthy opera singer’s ring is connected to the recent disappearances. The resulting heist takes Clara and a ragtag group, which includes a handsome musician, his memory-wiping cousin, an albino pickpocket, and a glamourist, through speakeasies, literary salons, Fairy Balls, and other flashy corners of Washington, D.C.’s 1925 Black community, challenging Clara’s hard-headed, loner tendencies. Penelope’s strong narrative voice suggests that this is a tale that has been told and retold for generations. History courses through every page, not only in interesting tidbits about the time and place, but also the personal histories and flashbacks that introduce each character, which explore why people who were dealt the toughest cards in life would resort to magic. In the Earthsinger Chronicles, Penelope proved she was a master of epic fantasy; here she entwines African American folk magic with a caper, historical fiction, and romance to equally enchanting effect.


Library Journal
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In Dean's big, intriguingly premised debut, Devon is part of a venerable clan belonging to The Book Eaters—instead of food, they munch thrillers, romance, and, when they misbehave, dusty dictionaries—and she's terrified to learn that her son is born hungering not for paper, printing, and binding but human minds (150,000-copy first printing). In The Women Could Fly, a dystopian work from Rumpus features editor Giddings, the mother of a young Black woman named Josephine is long vanished—was she a witch? Was she murdered?—and if Josephine doesn't marry soon, she will be forced to enroll in a registry that will effectively blot out her freedom (75,000-copy first printing). In Harris's The Serpent in Heaven, a sequel to The Russian Cage, Felicia is set upon by her estranged family of Mexican wizards and discovers that she is the most powerful witch of her generation (75,000-copy first printing). In Don't Fear the Reaper, Jones's follow-up to the LJ best-booked My Heart Is a Chainsaw, an exonerated Jade Daniels returns home from prison just as convicted serial killer Dark Mill South arrives to avenge 38 Dakota men hanged in 1862 (100,000-copy first printing). In this latest from the multi-award-nominated Kuang, a Chinese boy orphaned in 1828 Canton (now Guangzhou) is brought to London and eventually enters Oxford's Royal Institute of Translation—called Babel—which doubles as a center for magic and compels him to work in support of Britain's imperial ambitions in China (125,000-copy first printing). Modesitt continues his newly launched "Grand Illusion" series with Steffan Dekkard joining the Council of Sixty-Six as Councilor—the first to be an Isolate, which makes him impervious to emotional manipulation but could lead to his assassination (100,000-copy first printing). Author of the Slate best-booked Quick, Owens has Kate planning to hold her wedding at a church called Small Angels in the town where she once found shelter with the Gonne sisters, little realizing that they've been tasked with keeping a marauding ghost from invading the village—and they're falling down on the job. Winner of a BCALA Self-Publishing EBook Award for Song of Blood and Stone, one ofTime's 100 Best Fantasy Books of All Time, Penelope returns with The Monsters We Defy, whose heroine pays off a debt to the Empress ruling the spirit world by agreeing to steal a wealthy woman's ring in 1925 Washington, DC (25,000-copy first printing). From Valdes, author of the LJ best-booked Chilling Effects, Fault Tolerance brings back Capt. Eva Innocente and the raucous crew of La Sirena Negra to counter an anonymous threat that could lead to the death of billions (50,000-copy first printing). Dragon/Nebula finalist Virdi launches a new series with The First Binding, featuring an Immortal disguised as a storyteller—and he's here to relate how he unleashed the First Evil on the world (175,000-copy first printing). The MMU Novella Award-winning West goes full length with Face, set in a genetically engineered society where the perfect profile buys fame, wealth, and power but not happiness for Schuyler and Madeleine Burroughs (60,000-copy first printing).

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