Kirkus
Copyright © Kirkus Reviews, used with permission.

Wide-ranging anthology of narratives and literary works related to slavery and its abolition in the U.S.Focusing on the voices and actions of formerly enslaved Black people and lesser-known abolitionists, volume editor Commander writes, this collection draws on the holdings of the Schomburg Center for Research in Black Culture, where she is a curator. (Kevin Young is the director of the Schomburg and the series editor.) Built on the Schomburgs extensive archive of African American literature, the anthology incorporates excerpts from rare and little-known documents, among them courtroom testimonials concerning a 1740 Negro plot of arson and murder in New York and, 40 years later, an uprising laid at the door of Denmark Vesey, a free black man, which resulted in dozens of supposed conspirators being hung on the Lines. Other documents contrast the insurrections of John Brown and Nat Turner, the latter of whose fighters, a chronicler wrote, were humaner than Indians or than white men fighting against Indiansthere was no gratuitous outrage beyond the death-blow itself, no insult, no mutilation. Precipitants of the Civil War, such uprisings and insurrections were far from isolated, though often accompanied by quieter acts of resistance. In 1849, for instance, one brave man shipped himself north from Louisiana to Pennsylvania in a coffinlike box, tossed and tumbled to a freedom that was not complete thanks to the Fugitive Slave Act: I now stand before you as a free man, but since my arrival among you, I have been informed that your laws require that I should still be held as a slave. (Fortunately, he escaped to England.) Commanders well-chosen collection also includes literary works by Black writers such as Pauline Elizabeth Hopkins, who wrote a play of the Underground Railroad excerpted here whose use of dialect (I doesnt like to say it, but Ise might fraid yous gwine to lose your gal) is unusual among the stirring oratory of the earlier abolitionists but that certainly has its place among the dozens of voices here.As comprehensive a collection as now exists and one that should be required reading in history and literature courses. Copyright Kirkus Reviews, used with permission.

Library Journal
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Drawing from the extensive collections at the Schomburg Center for Research in Black Culture, this remarkable anthology edited by Commander (associate director and curator, Lapidus Ctr. for the Historical Analysis of Transatlantic Slavery at the Schomburg) collects narratives, from firsthand accounts to published speeches to court proceedings, of Black people becoming the agents of their own lives and liberation in the 19th century. An engaging foreword by Schomburg director Kevin Young is followed by an insightful introduction by Commander, in which she provides context on antislavery movements across the Atlantic world. Moving beyond prominent figures such as Frederick Douglass, this book stands out by bringing awareness to lesser-known American abolitionists, including Sarah Mapps Douglass, Maria W. Stewart, and Lucy Stanton, through the inclusion of their widely-circulated speeches. Also featured are powerful recollections of slavery from Bethany Veney and Henry Clay Bruce, among others, as well as harrowing accounts of escaping slavery from Ellen and William Craft, and more. VERDICT As a whole, this collection showcases the vastness of Black thinking and writing, and nicely complements works by Martha S. Jones and Stephanie E. Jones-Rogers. Complete with a list of suggestions for further reading, this winning anthology is a must for all interested in Black history, but unsure where to start.—Stephanie Sendaula, Library Journal

Kirkus
Copyright © Kirkus Reviews, used with permission.

Wide-ranging anthology of narratives and literary works related to slavery and its abolition in the U.S. “Focusing on the voices and actions of formerly enslaved Black people and lesser-known abolitionists,” volume editor Commander writes, this collection draws on the holdings of the Schomburg Center for Research in Black Culture, where she is a curator. (Kevin Young is the director of the Schomburg and the series editor.) Built on the Schomburg’s extensive archive of African American literature, the anthology incorporates excerpts from rare and little-known documents, among them courtroom testimonials concerning a 1740 “Negro plot” of arson and murder in New York and, 40 years later, an uprising laid at the door of “Denmark Vesey, a free black man,” which resulted in dozens of supposed conspirators being “hung on the Lines.” Other documents contrast the insurrections of John Brown and Nat Turner, the latter of whose fighters, a chronicler wrote, “were humaner than Indians or than white men fighting against Indians—there was no gratuitous outrage beyond the death-blow itself, no insult, no mutilation.” Precipitants of the Civil War, such uprisings and insurrections were far from isolated, though often accompanied by quieter acts of resistance. In 1849, for instance, one brave man shipped himself north from Louisiana to Pennsylvania in a coffinlike box, tossed and tumbled to a freedom that was not complete thanks to the Fugitive Slave Act: “I now stand before you as a free man, but since my arrival among you, I have been informed that your laws require that I should still be held as a slave.” (Fortunately, he escaped to England.) Commander’s well-chosen collection also includes literary works by Black writers such as Pauline Elizabeth Hopkins, who wrote a play of the Underground Railroad excerpted here whose use of dialect (“I doesn’t like to say it, but Ise might ’fraid you’s gwine to lose your gal”) is unusual among the stirring oratory of the earlier abolitionists but that certainly has its place among the dozens of voices here. As comprehensive a collection as now exists and one that should be required reading in history and literature courses. Copyright © Kirkus Reviews, used with permission.