Kirkus
Copyright © Kirkus Reviews, used with permission.

More female-centric meandering through Arthuriana. The sequel to 2019s The Guinevere Deception continues to retell in close third-person the story of Guinevere, a magical blank slate with almost no memories of her past and little understanding of herself other than an unshakeable conviction in Arthur, as she tries to fight like a queen rather than a witch. The plot holds few surprises, being more a study of Guineveres internal landscape peppered with bursts of action slowed by Guineveres constant self-doubt. Cipher Guinevere wants to understand herself, but her lack of memory means she has little depth to draw from; she has limited identity beyond the questions she ponders and asks of her world. Happily, those questions revolve around power and nature as well as recurring themes of who and how to be, providing rich intellectual fodder for readers who want a think-y book with few conclusions (although the ending implies they are coming in Volume 3). In this version of Arthurs legend, magic is chaos and female while Camelot is order and male; the exception to this dichotomy is Merlin, who is never seen directly but whose hand and lack of care drive Arthurs story and give Guinevere a model of power against which to fight. Guinevere is White; secondary characters are diverse, from those with implied Asian and African parentage to a female Lancelot and a lesbian Isolde, although only Lancelots identity is interrogated within the context of Guineveres questions. Thoughtful and introspective. (Fantasy. 12-18) Copyright Kirkus Reviews, used with permission.

Kirkus
Copyright © Kirkus Reviews, used with permission.

More female-centric meandering through Arthuriana. The sequel to 2019’s The Guinevere Deception continues to retell in close third-person the story of Guinevere, a magical blank slate with almost no memories of her past and little understanding of herself other than an unshakeable conviction in Arthur, as she tries to “fight like a queen” rather than a witch. The plot holds few surprises, being more a study of Guinevere’s internal landscape peppered with bursts of action slowed by Guinevere’s constant self-doubt. Cipher Guinevere wants to understand herself, but her lack of memory means she has little depth to draw from; she has limited identity beyond the questions she ponders and asks of her world. Happily, those questions revolve around power and nature as well as recurring themes of who and how to be, providing rich intellectual fodder for readers who want a think-y book with few conclusions (although the ending implies they are coming in Volume 3). In this version of Arthur’s legend, magic is chaos and female while Camelot is order and male; the exception to this dichotomy is Merlin, who is never seen directly but whose hand and lack of care drive Arthur’s story and give Guinevere a model of power against which to fight. Guinevere is White; secondary characters are diverse, from those with implied Asian and African parentage to a female Lancelot and a lesbian Isolde, although only Lancelot’s identity is interrogated within the context of Guinevere’s questions. Thoughtful and introspective. (Fantasy. 12-18) Copyright © Kirkus Reviews, used with permission.