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World Fantasy Awards
2011
Who Fears Death
Click to search this book in our catalog   Nnedi Okorafor
2010
The City and The City
Click to search this book in our catalog   China Mieville
2009
Tender Morsels
Click to search this book in our catalog   Margo Lanagan
 
2009
The Shadow Year
 Jeffrey Ford
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2008
Ysabel
 Guy Gavriel Kay
Library Journal : Starred Review. Ned Marriner joins his father, the famous photographer Edward Marriner, for an extended stay in Provence, an area of France steeped in both Celtic and Roman history. Then, a visit to Saint-Sauveur Cathedral in the town of Aix brings Ned together with Kate Wenger, an American exchange student, and a man who appears to be much, much older than one would think—and both Ned and Kate become caught up in another time where the reenactment of an old story draws the two young people into a cycle of myths and legends in which truth, love, courage, and sacrifice are the only things that matter. An explorer of history and myths, Kay (The Last Light of the Sun) has a special affinity for the people behind the larger-than-life legends that persist through time. His latest fantasy blends time and place in a crossing of worlds and universal truths. Highly recommended.

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Publishers Weekly: Starred Review. Kay (The Last Light of the Sun) departs from his usual historical fantasies to connect the ancient, violent history of France to the present day in this entrancing contemporary fantasy. Fifteen-year-old Canadian Ned Marriner accompanies his famous photographer father, Edward, on a shoot at Aix-en-Provence's Saint-Saveur Cathedral while his physician mother, Meghan, braves the civil war zone in Sudan with Doctors Without Borders. As Ned explores the old cathedral, he meets Kate Wenger, a geeky but attractive American girl who's a walking encyclopedia of history. In the ancient baptistry, the pair are surprised by a mysterious, scarred man wielding a knife who warns that they've "blundered into a corner of a very old story. It is no place for children." But Ned and Kate can't avoid becoming dangerously entangled in a 2,500-year-old love triangle among mythic figures. Kay also weaves in a secondary mystery about Ned's family and his mother's motivation behind her risky, noble work. The author's historical detail, evocative writing and fascinating characters—both ancient and modern—will enthrall mainstream as well as fantasy readers. (Feb.)

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2007
Soldier of Sidon
 Gene Wolfe
Library Journal: Starred Review. Cursed with the inability to remember his words or actions from day to day, the soldier named Latro (or Lucius or Lewqys) finds himself in Egypt, the guest of a Phoenician sea captain who has agreed to take him on a voyage into his past. Visited regularly by visions of gods and holding on to a sense of continuity by keeping a diary he reads every morning, Latro searches for a way to lift his curse and remember his past so that he can live a normal life. Continuing the story begun in Soldier of the Mist and Soldier of Arete, Wolfe brings his stylistic excellence and imaginative genius to this tale of a man who daily sees the world made new and who witnesses magic and miracles at every turn. A welcome addition from one of the genre's most literate and thoughtful authors; highly recommended.

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Publishers Weekly: Latro, the amnesiac visionary hero of Soldier of the Mist and Soldier of Arete, reaches the Egypt known to Herodotus in Wolfe's splendid historical fantasy. Wounded in battle, Latro has only one day's worth of memory and must write down his experiences so he will know who he is every morning. In compensation, he's able to see gods and supernatural beings and does not distinguish them from the mortals around him. Gaps in the record and Wolfe's Haggardesque device of the manuscript found in a jar make Latro the most postmodern of unreliable narrators, aware that he's writing a text, uncertain of its meaning and unable to keep its entirety in his head. For all Wolfe assures us that ancient Egypt is not mysterious, Latro's journey makes up a leisurely, dreamlike, haunted house of a novel, which brilliantly immerses the reader in the belief systems of the time, drifting in and out of the everyday and spirit worlds until the two become indistinguishable. (Oct.)

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2006
Kafka on the Shore
Click to search this book in our catalog   Haruki Murakami
2005
Jonathan Strange and Mr Norrell
Click to search this book in our catalog   Susanna Clarke
Library Journal : This book's rather lackluster title does a grave disservice to a story of tremendous imagination and exquisite style. First novelist Clarke recounts the struggle of two English magicians to return their craft to the level of professional respect it commanded during the medieval golden age. It is 1806, and with the Napoleonic Wars raging, England calls upon Mr. Norrell, a prudent, practiced magician-scholar, to fend off the little general once and for all. Then along comes Jonathan Strange, a handsome and reckless aristocrat who tries his hand at magic and quickly excels. Admirers of Austen will find much to entertain them as they read of the magicians' travails (Norrell takes on Strange as a pupil), English economic ills, and the much darker, more dangerous forces of the Faerie world. This tour de force is sure to appeal to fans of Charles Palliser and Diana Gabaldon and anyone who appreciates a distinctive voice. Highly recommended for all public libraries.—Cynthia Johnson, Cary Memorial Lib., Lexington, MA

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Publishers Weekly : The drawing room social comedies of early 19th-century Britain are infused with the powerful forces of English folklore and fantasy in this extraordinary novel of two magicians who attempt to restore English magic in the age of Napoleon. In Clarke's world, gentlemen scholars pore over the magical history of England, which is dominated by the Raven King, a human who mastered magic from the lands of faerie. The study is purely theoretical until Mr. Norrell, a reclusive, mistrustful bookworm, reveals that he is capable of producing magic and becomes the toast of London society, while an impetuous young aristocrat named Jonathan Strange tumbles into the practice, too, and finds himself quickly mastering it. Though irritated by the reticent Norrell, Strange becomes the magician's first pupil, and the British government is soon using their skills. Mr. Strange serves under Wellington in the Napoleonic Wars (in a series of wonderful historical scenes), but afterward the younger magician finds himself unable to accept Norrell's restrictive views of magic's proper place and sets out to create a new age of magic by himself. Clarke manages to portray magic as both a believably complex and tedious labor, and an eerie world of signs and wonders where every object may have secret meaning. London politics and talking stones are portrayed with equal realism and seem indisputably part of the same England, as signs indicate that the Raven King may return. The chock-full, old-fashioned narrative (supplemented with deft footnotes to fill in the ignorant reader on incidents in magical history) may seem a bit stiff and mannered at first, but immersion in the mesmerizing story reveals its intimacy, humor and insight, and will enchant readers of fantasy and literary fiction alike.

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School Library Journal : Adult/High School–This delightful first novel exerts a strong and seductive pull on readers who might otherwise balk at its length. Like Philip Pullman's work, it is dark, deep, and challenging. It compares dead-on with Jane Austen's novels, and YAs who have underappreciated her wit may find it delicious when applied to magicians. Clarke even tosses in a bit of Dickens and Hardy–with great characterization, subplots, and a sense of fate bearing down hard on us. At stake is the future of English magic, which has nearly dwindled to all theory by the early 1800s, after centuries of prominence. When the book opens, only the reclusive and jealous Gilbert Norrell is practicing. Enter Jonathan Strange, a natural who has never studied magic formally. Norrell resents, then adopts Strange as a pupil whose growth he insists on controlling until the two come to the impasse that nearly leads them to destroy one another. Strange champions the 12th century's "Raven King" as the greatest magician in English history and hopes to summon him from Faerie, an alternate world. Norrell is determined to erase both from English memory–to hide the fact that he himself made a bargain with a fairy that has cost three people their lives, though their hearts go on dismally beating. Expertly written and imagined, the book is a feast for fans of fantasy, historical novels, or simply fabulously engrossing reads.–Emily Lloyd, formerly at Rehoboth Beach Public Library, DE

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2004
Tooth and Claw
Click to search this book in our catalog   Jo Walton
Library Journal : The deathbed confession of Bon Agornin places his heirs in a quandary as the five siblings maneuver for position and power within the family. What makes Walton's tale of dynastic intrigue unique is that the individuals are all dragons, with their own customs and traditions-such as the practice of consuming the bodies of their dead and killing their weaker children. Walton (The King's Piece) combines delicacy and savagery in a finely told tale suitable for most fantasy collections.

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Publishers Weekly : Dragons ritually eat dragons in order to gain strength and power in Walton's enthralling new fantasy (after 2002's The Prize in the Game), set amid a hierarchical society that includes a noble ruling class, an established church, servants and retainers. On the death of the dragon Bon Agornin, his parson son Penn, one of five siblings (two male and three female), declares, "We must now partake of his remains, that we might grow strong with his strength, remembering him always." But Bon's greedy son-in-law, Illustrious Daverak, consumes more than his fair share of the departed dragon, setting off a chain of unexpected and, at times, calamitous events for each sibling. Avan, the younger son, decides to litigate for compensation. One unmarried daughter, on moving in with the married sister and Daverak, discovers a house filled with injustice, while the other unmarried daughter goes off with Penn and falls in love. Full of political intrigue and romance, this provocative read sets the stage for further adventures in a world that, as the author admits in her prefatory note, "owes a lot to Anthony Trollope's Framley Parsonage." FYI: In 2002, Walton received a John W. Campbell Award for Best New Writer.

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2003
Fitchers Brides
 Gregory Frost
Library Journal : Swept up in the Rev. Elias Fitcher's apocalyptic predictions, the Charter family moves to upstate New York to await the final days as the gatekeepers of Fitcher's mansion, Harbinger House. When Fitcher chooses Vernelia as his bride, younger sisters Amy and Kate envy her happiness until events hint at a sinister purpose behind Fitcher's marriage and an even darker secret at the heart of Harbinger House. Frost's contribution to the popular "Fairy Tale" series, created and edited by Terry Windling, takes a unique approach to the horrific tale of Bluebeard, setting a seemingly cautionary tale about the dangers of curiosity against the messianic fervor of the mid-19th century. The author of The Pure Cold Light blends dark fantasy and social commentary in an intriguing tale that belongs in most libraries. Highly recommended.

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Publishers Weekly : In the latest addition to the Fairy Tale Series created by Terri Windling, fantasy author Frost (Tain; Lyrec) provides a fresh and highly readable spin on the classic Bluebeard tale, setting his version in New York's Finger Lakes district during the 1830s. Charismatic preacher Elias Fitcher, the Bluebeard figure, has set up a utopian community that prays and works while awaiting the end of the world prophesied for 1843. Into this hotbed of religious fervor comes the Charter family from the nearby town of Jeckyll's Glen. The father and stepmother succumb to Fitcher's mesmerizing preaching, but it is the three daughters-Vernelia, Amy and Catherine-who listen to household spirits and end up, each in turn, marrying Fitcher, then vanishing, except for Catherine, the youngest. In order to survive, Catherine must use her wits and the understanding passed on from her sisters. Exploring such adult themes as lust, masochism and desire, Frost neatly counterbalances the underlying threads of wifely curiosity and disobedience with the growing awareness of true evil in Fitcher, the elements that have made the fairy tale such a timeless story. Some readers may want to save Windling's introduction, which traces the historical legend through its roots in folklore to the narrative of Frenchman Charles Perrault, for last, in order to enjoy the novel for its own sake.

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2002
The Other Wind
 Ursula K. Le Guin
Library Journal : A village mender's love for his dead wife leads him in his dreams to the dry lands of the dead where a kiss from his wife's spirit begins a chain of events that shakes the foundations of the realms of Earthsea. Le Guin's first Earthsea novel in ten years blends old themes and familiar people from previous series books with new characters and fresh stories, demonstrating once again the power of storytelling to transform the known into the unknown and the ordinary into the extraordinary. Le Guin remains a master of subtlety and grace as she finds new and surprising ways to express deep truths cloaked in the trappings of fantasy. A priority purchase for libraries of all sizes. [Previewed in Prepub Alert, LJ 5/1/00.]

Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : What a year it's been for Le Guin. First, there was The Telling, the widely praised new novel in her Hainish sequence, followed by Tales from Earthsea, a collection of recent short fiction in her other major series. Now she returns with a superb novel-length addition to the Earthsea universe, one that, once again, turns that entire series on its head. Alder, the man who unwittingly initiates the transformation of Earthsea, is a humble sorcerer who specializes in fixing broken pots and repairing fence lines, but when his beloved wife, Lily, dies, he is inconsolable. He begins to dream of the land of the dead and sees both Lily and other shades reaching out to him across the low stone wall that separates them from the land of the living. Soon, more general signs and portents begin to disturb Earthsea. The dragons break their long-standing truce and begin to move east. The new ruler of the Kargad Lands sends his daughter west in an attempt to wed her to King Lebannen. Even Ged, the former archmage, now living in peaceful, self-imposed exile on Gont, starts to have disturbing dreams. In Tehanu (1990), the fourth book in the series, Le Guin rethought the traditional connection between gender and magic that she had assumed in the original Earthsea trilogy. In her new novel, however, she reconsiders the relationship between magic and something even more basic: life and death itself. This is not what 70-year-old writers of genre fantasy are supposed to do, but then, there aren't many writers around like Le Guin. (Oct. 1)has won a National Book Award, the Kafka Award and a Pushcart Prize.

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2001
Declare
 Tim Powers
Library Journal : As a young man, Alan Hale, working for British Intelligence, failed to stop a mysterious Soviet mission on Mt. Ararat and re-entered civilian life. Twenty years later, he must return to Turkey to accomplish the mission that has haunted him since the end of World War II. Powers (Earthquake Weather), known for his complex fantasy tales, here turns in a classic spy novel with a supernatural twist that ties Lawrence of Arabia to the fall of the Iron Curtain. Fans of John le Carr will appreciate the authentic period detail, meticulous descriptions of the business of espionage, and portraits of actual spies, such as Kim Philby; others will enjoy the suspense and chilling atmosphere of Cold War antics, as well as Powers's intricate chronology and plotting. [The publisher is marketing this as Powers's mainstream breakout novel.

Ed.]--Devon Thomas, Hass Assoc., Ann Arbor, MI Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : Powers (The Anubis Gates, etc.), known hitherto as an expert fantasy writer, has created a mind-bending mix of genres here, placing his gifts for extreme speculative fiction in service of a fantastical spy story involving rivalries between no fewer than four intelligence services: British, French, Russian and American. In 1963, Andrew Hale is summoned to reenter the secret service. He has a past embracing anti-Nazi activities in Occupied Paris--where he fell in love with Elena, a Spanish-born Communist operative--and a spectacularly unsuccessful mission on Mount Ararat in 1948, the purpose of which only gradually becomes clear. Powers posits that the mountain, as the speculative last home of Noah's Ark, is also the dwelling place of many djinns, supernatural beings that often take the form of rocks in the Arabian deserts. The father of British spy Kim Philby, a noted Arabist, had been a keen observer of these phenomena and taught his son about them. Now it seems that a supernatural power, manifesting itself as an old woman, is safeguarding the Soviet Union, and if fragments of a destroyed djinn can be introduced into Moscow, they could destroy her protection and make the Soviet Union susceptible to normal human laws. This is Hale's mission. In 1948 it failed, and most of his commando force was destroyed. On his return 15 years later, with Philby, Hale succeeds in shooting fragments of djinn into Philby, who then returns to Moscow. Upon Philby's death many years later, the Soviet Union duly collapses. The styles of spy fiction, with dense counterplotting and extremes of caution, and the spectacular supernatural scenes simply do not blend. It's all offbeat and daringly imaginative, but ultimately rather foolish entertainment. (Jan. 9) Forecast: This original novel, despite its strengths, is unlikely to satisfy fully fans of either spycraft or fantasy--and such is the pitfall of genre-bending. A 6-city author tour plus vigorous promotion online and off could give the book some turbo power, though.

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2000
The Rainy Season
Click to search this book in our catalog   James Blaylock
Library Journal: The coming of the rains to California's mission country releases a torrent of unusual activities surrounding a century-old mystery. Photographer Phil Ainsworth finds his life altered by the adoption of his late sister's child and the legacy she brings with her. As ghosts and strangers from the past seek redress for old grievances, a young girl's life hinges on the possession of a strange crystal and a magical well. The author of Winter Tides continues to display an uncanny talent for low-key, off-kilter drama, infusing the modern world with a supernatural tint. Blaylock's evocative prose and studied pacing make him one of the most distinctive contributors to American magical realism. Recommended for most libraries.

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Publishers Weekly: The central conceit of this elegant, accomplished contemporary ghost story is that fuentes--springs in which children have been ritually drowned--are portals of inexact time travel. A byproduct of the ritual, and of time-traveling, is that memory is cast off in the form of a crystal stone, which allows its holder to experience the cast-off memory, which "might be transferred to living flesh." Hale Appleton, leader of the Societas Fraternia, a spiritualist cult, creates one such crystal in 1884. The stone is then stolen, and pursued to the present day. Timelines and characters overlap here. Scenes from previous centuries take place on the periphery of the present story line, wherein Phil Ainsworth, an insular photographer who lives in Southern California, where Appleton made his sacrifice, gains custody of his niece. People from the past and present converge on Ainsworth in an attempt to get the crystal, or to block the portal--a well on his property--from being neutralized. Ambitious plotting and characterization augment Blaylock's (Winter Tide) lush language (ripples in a well "cast a hundred shifting shadows... crisscrossing in geometric confusion"). This is one ghostly tale that stands on very solid ground. (Aug.) ("Paper Dragons," 1986) and one for best short story ("Thirteen Phantasms," 1997).

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1999
The Antelope Wife
Click to search this book in our catalog   Louise Erdrich
Library Journal: Erdrich suffuses Minneapolis with Native American spirit.

Copyright 1997 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: "Family stories repeat themselves in patterns and waves, generation to generation, across blood and time." Erdrich (Love Medicine, etc.) embroiders this theme in a sensuous novel that brings her back to the material she knows best, the emotionally dislocated lives of Native Americans who try to adhere to the tribal ways while yielding to the lure of the general culture. In a beautifully articulated tale of intertwined relationships among succeeding generations, she tells the story of the Roy and the Shawano families and their "colliding histories and destinies." The narrative begins like a fever dream with a U.S. cavalry attack on an Ojibwa village, the death of an old woman who utters a fateful word, the inadvertent kidnapping of a baby and a mother's heartbreaking quest. The descendants of the white soldier who takes the baby and of the bereaved Ojibwa mother are connected by a potent mix of tragedy, farce and mystical revelation. As time passes, there is another kidnapping, the death of a child and a suicide. Fates are determined by a necklace of blue beads, a length of sweetheart calico and a recipe for blitzkuchen. Though the saga is animated by obsessional love, mysterious disappearances, mythic legends and personal frailties, Erdrich also works in a comic vein. There's a dog who tells dirty jokes and a naked wife whose anniversary surprise has an audience. Throughout, Erdrich emphasizes the paradoxes of everyday life: braided grandmas who follow traditional ways and speak the old language also wear eyeliner and sneakers. In each generation, men and women are bewitched by love, lust and longing; they are slaves to drink, to carefully guarded secrets or to the mesmerizing power of hope. Though the plot sometimes bogs down from an overload of emotional complications, the novel ultimately celebrates the courage of following one's ordained path in the universe and meeting the challenges of fate. It is an assured example of Erdrich's storytelling skills.

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1998
The Physiognomy
Click to search this book in our catalog   Jeffrey Ford
Publishers Weekly: Ruled by the Hitler-like Master Drachton Below according to the principles of Physiognomy (the "science" of judging the proportions of the flesh), the anti-utopian Well-Built City of Ford's goofily allegorical debut is already ripe for revolution when Below sends physiognomist Cley to the mining town Gronus to track down a fabled white fruit stolen from the state Church. A cruel, merciless bureaucrat who recommends anyone with less than perfect features for execution or the sulfur mines, Cley starts to soften toward his subversive assistant, Arla, and eventually vows to overthrow the City. Ford's inventions founder somewhere in the never-never land between Asimov and Kafka, as he substitutes the cute for the prophetic, obvious moralizing for original inventions ("Shudder," for instance, is coffee; "absence" is alcohol; "sheer beauty" a heroin-like opiate). The things Ford does invent are too whimsical to be threatening, such as the blue miners who are used as fuel or monuments when they die, and the thematic conflicts--good vs. Evil, death vs. Immortality, man vs. Nature, man vs. himself--lack subtlety, to say the least, while Ford's social crusades (against sexism and state violence) are too cartoonish to evoke any real-life struggles. Despite Ford's evident, childlike delight in his alter-world, the accoutrements of the story aren't enough to sustain its larger concerns.

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1997
Godmother Night
 Rachel Pollack
Publisher's Weekly: Departing from the future society she traced in Unquenchable Fire and Temporary Agency (a Nebula Award finalist), Pollack imagines with flair a fantasy world sprawled across the back of a giant turtle. At a dance at a college in a city "in the eastern part of the turtle, not far from the sea," two young women, Laurie and Jaqe, meet and fall in love. They also meet Mother Night, who helps the couple cope with the obstacles strewn across their path by family and society. An older, redheaded woman who rides around on a motorcycle, surrounded by a crew of younger, similarly carrot-topped women, Mother Night is in fact Death. While she helps Laurie and Jaqe in their quest for peace and justice, she also brings about the early demise of one of the lovers, shortly after a baby daughter is born. Mother Night becomes a true godmother to this child, watching over her and disclosing to her secrets of the departed. Pollack's fairy-tale plot is resourceful and original, but here, as in her earlier fiction, the emphasis is on character as she portrays women's intimate relationships with one another with resonance and realism. This is another fine outing by one of the most gifted and sensitive fantasists working today.

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1996
The Prestige
 Christopher Priest
Library Journal: Notions of doubleness pervade this tale of a feud between the families ot two Victorian-era magicians. Alfred Borden and Rupert Angier have spent their careers trying to sabotage one another. When Borden ups the ante by developing a seemingly impossible trick in which he is moved across the stage in a unimaginable short time, Angier responds by enlisting inventor Nikola Tesla to build a turn-of-the-century version of a Star Trek-like transporter. The magicians' story is framed by that of two descendants, affected by the feud in ways they are only beginning to fathom, who meet at the Angier family's desolate country estate. Mixing elements of the psychological novel with fantasy, this is an inventive, if somewhat far-fetched, British neo-Gothic. For most collections.

Lawrence Rungren, Merrimack Valley Lib. Consortium, Andover, Mass. Distributed by Syndetic Solutions Inc. Terms

Publisher's Weekly: Priest, one of Granta's Best Young British Novelists (1983 list), has not been overproductive since he made a small reputation with The Affirmation and The Glamour, published here more than a dozen years ago. His new novel (the title of which refers to the residue left after a magician's successful trick) is enthrallingly odd. In a carefully calculated period style that is remarkably akin to that of the late Robertson Davies, Priest writes of a pair of rival magicians in turn-of-the-century London. Each has a winning trick the other craves, but so arcane is the nature of these tricks, so incredibly difficult are they to perform, that they take on a peculiar life of their own--in one case involving a mysterious apparent double identity, in the other a reliance on the ferocious powers unleashed in the early experimental years of electricity. The rivalry of the two men is such that in the end, though both are ashamed of the strength of their feelings of spite and envy, it consumes them both, and affects their respective families for generations. This is a complex tale that must have been extremely difficult to tell in exactly the right sequence, while still maintaining a series of shocks to the very end. Priest has brought it off with great imagination and skill. It's only fair to say, though, that the book's very considerable narrative grip is its principal virtue. The characters and incidents have a decidedly Gothic cast, and only the restraint that marks the story's telling keeps it on the rails.

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1995
Towing Jehovah
 James Morrow
Library Journal: Anthony Van Horne, the disgraced captain of an oil tanker that spilled its cargo, is approached by the angel Raphael at the Cloisters in New York to command his former ship on an important mission. It seems God has died, and his two-mile-long corpse has fallen into the ocean at 0 latitude, 0 longitude. The Vatican would like the captain to tow God to a remote Arctic cave for a quiet burial. Naturally, things don't work out this simply, and the complications form the events of this splendid comic epic. As more and more folks with varying perspectives become aware of the covert mission, more hell, if you will, breaks loose. The author, an sf crossover, puts the weighty subject and its possible ramifications to clever use on many levels. He packs the story with sailing matters, cultural criticism, theology, physics, and more but still manages to keep the encounter bubbly and inviting. Recommended for general collections.

Brian Geary, West Seneca, N.Y. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: God is dead, and Anthony Van Horne doesn't feel very well himself. Van Horne--whose captaincy of a mammoth oil tanker during an Exxon Valdez -type spill has left him unemployed, estranged from his family and suffering nightmares--is hired by the Vatican to pilot his former vessel as it tows the Supreme Being (found dead of unknown causes) to a tomb in the Arctic that His angels have built for Him. Van Horne's task would be difficult enough without the well-intentioned efforts of devout atheist Cassie Fowler and her compatriots from the Central Park West Enlightenment League, whose reactions to God's corporeality belie their organization's quaint name. Morrow (winner of a World Fantasy Award for his novel Only Begotten Daughter ) describes a captivating voyage. As complication builds upon complication--including a shipwreck, an island that appears to be the abode of pagan gods, a mutiny, acrimonious dealings with Van Horne's father and contretemps from both the reappraising Vatican and the WW II Reenactment Society--Van Horne's journal reads like that of a modern-day Odysseus. There's an unnecessary death that deprives the narrative of the perspective of one of its potentially most interesting characters, but this clever novel still stands as a wry, boisterous celebration.

Copyright 1994 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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