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The Evolution of Calpurnia Tate

by Kelly, Jacqueline

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Book list *Starred Review* Growing up with six brothers in rural Texas in 1899, 12-year-old Callie realizes that her aversion to needlework and cooking disappoints her mother. Still, she prefers to spend her time exploring the river, observing animals, and keeping notes on what she sees. Callie's growing interest in nature creates a bond with her previously distant grandfather, an amateur naturalist of some distinction. After they discover an unknown species of vetch, he attempts to have it officially recognized. This process creates a dramatic focus for the novel, though really the main story here is Callie's gradual self-discovery as revealed in her vivid first-person narrative. By the end, she is equally aware of her growing desire to become a scientist and of societal expectations that make her dream seem nearly impossible. Interwoven with the scientific theme are threads of daily life in a large family the bonds with siblings, the conversations overheard, the unspoken understandings and misunderstandings all told with wry humor and a sharp eye for details that bring the characters and the setting to life. The eye-catching jacket art, which silhouettes Callie and images from nature against a yellow background, is true to the period and the story. Many readers will hope for a sequel to this engaging, satisfying first novel.--Phelan, Carolyn Copyright 2009 Booklist

School Library Journal Starred Review. Gr 5-8-A charming and inventive story of a child struggling to find her identity at the turn of the 20th century. As the only girl in an uppercrust Texas family of seven children, Calpurnia, 11, is expected to enter young womanhood with all its trappings of tight corsets, cookery, and handiwork. Unlike other girls her age, Callie is most content when observing and collecting scientific specimens with her grandfather. Bemoaning her lack of formal knowledge, he surreptitiously gives her a copy of The Origin of Species and Callie begins her exploration of the scientific method and evolution, eventually happening upon the possible discovery of a new plant species. Callie's mother, believing that a diet of Darwin, Dickens, and her grandfather's influence will make Callie dissatisfied with life, sets her on a path of cooking lessons, handiwork improvement, and an eventual debut into society. Callie's confusion and despair over her changing life will resonate with girls who feel different or are outsiders in their own society. Callie is a charming, inquisitive protagonist; a joyous, bright, and thoughtful creation. The conclusion encompasses bewilderment, excitement, and humor as the dawn of a new century approaches. Several scenes, including a younger brother's despair over his turkeys intended for the Thanksgiving table and Callie's heartache over receiving The Science of Housewifery as a Christmas gift, mix gentle humor and pathos to great effect. The book ends with uncertainty over Callie's future, but there's no uncertainty over the achievement of Kelly's debut novel. Jennifer Schultz, Fauquier County Public Library, Warrenton, VA Copyright 2009 Reed Business Information

Publishers Weekly Life at the turn of the century is not easy for a girl who loves books and science. Kelly's first novel presents spirited heroine Calpurnia (Callie) Virginia Tate, a middle child with six brothers, growing up in the isolation of Fentress, Tex., in 1899. To her family's dismay, Callie is stubborn, independent and not interested in darning socks or perfecting her baking skills like a lady. "I would live my life in a tower of books," she thinks to herself. She spends most of her time with Harry, "the one brother who could deny me nothing," slowly befriending her Granddaddy, a mysterious naturalist who studies everything from pecan distillation to microscopic river bugs. Together they dream up experiments and seek answers to backyard phenomena, discovering something new about the invisible world each day. Callie follows her passion for knowledge, coming to realize her family "had their own lives. And now I have mine." Callie's transformation into an adult and her unexpected bravery make for an exciting and enjoyable read. Kelly's rich images and setting, believable relationships and a touch of magic take this story far. Ages 10-up. (May) Copyright 2009 Reed Business Information.

Caldecott Medal Winners

Hey, Al

by Richard Egielski

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School Library Journal K Up The theme here is, ``be happy with who you are,'' or maybe, ``there's no free lunch.'' Al, a janitor, lives a meager existence with his companion (dog) Eddie in New York City. They complain to each other about their lot and are ready to take off to a better place with a huge bird who just pops in and invites them. This ``island in the sky'' is perfect. All its inhabitants are friendly birds, and there's nothing to do but enjoy the tropical paradise. But when they both begin to sprout feathers and beaks, they realize that there is a price to pay, so they take off, Icarus-styleincluding a plunge into New York Harbor. Safely home, they discover that ``Paradise lost is sometimes Heaven found.'' Egielski's solid naturalism provides just the visual foil needed to establish the surreal character of this fantasy. The muted earth tones of the one-room flat contrast symbolically with the bright hues of the birds' plumage and the foliage of the floating paradise. The anatomical appropriateness of Al and Eddie plays neatly against the flamboyant depiction of the plants. Text and pictures work together to challenge readers' concept of reality, with touches such as the stacks of delivered newspapers outside Al's door when he returns fromhis ``dream''? Kenneth Marantz, Art Education Department, Ohio State University, Columbus

Book list Al, a modest janitor, and his dog Eddie are spirited away to a wonderful new life by a mysterious bird, but they soon learn that paradise has its price and home has its rewards. Energetic, thought-provoking illustrations. The 1987 Caldecott Medal Book. (Ja 1 87)

Book list Gr. 2-4. Al and his dog, Eddie, learn that the grass is not always greener even in paradise in this rich blending of picture and story. (Ja 1 87)

Newbery Medal Winners

Good Masters! Sweet Ladies! Voices from a Medieval Village

by Laura Amy Schlitz

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Book list *Starred Review* The author of A Drowned Maiden's Hair: A Melodrama (2006), Schlitz turns to a completely different kind of storytelling here. Using a series of interconnected monologues and dialogues featuring young people living in and around an English manor in 1255, she offers first-person character sketches that build upon each other to create a finer understanding of medieval life. The book was inspired by the necessity of creating a play suitable for a classroom where no one wanted a small part. Each of the 23 characters (between 10 and 15 years old) has a distinct personality and a societal role revealed not by recitation of facts but by revelation of memories, intentions, and attitudes. Sometimes in prose and more often in one of several verse forms, the writing varies nicely from one entry to the next. Historical notes appear in the vertical margins, and some double-page spreads carry short essays on topics related to individual narratives, such as falconry, the Crusades, and Jews in medieval society. Although often the characters' specific concerns are very much of their time, their outlooks and emotional states will be familiar to young people today. Reminiscent of medieval art, Byrd's lively ink drawings, tinted with watercolors, are a handsome addition to this well-designed book. This unusually fine collection of related monologues and dialogues promises to be a rewarding choice for performance or for reading aloud in the classroom.--Phelan, Carolyn Copyright 2007 Booklist

Publishers Weekly Schlitz (The Hero Schliemann ) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonardo, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills ("Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg"); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her "starving poor [father] took me up to drown in a bucket of water." (He relents at the sight of her "wee fingers" grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up. (Aug.) Copyright 2007 Reed Business Information.

School Library Journal Gr 4-8-Schlitz helps students step directly into the shoes-and lives-of medieval children in this outstanding collection of interrelated monologues. Designed for performance and excellent for use in interdisciplinary history classrooms, the book offers students an incredibly approachable format for learning about the Middle Ages that makes the period both realistic and relevant. The text, varying from dramatic to poetic, depending on the point of view, is accompanied by historical notes that shed light on societal roles, religion, and town life. Byrd's illustrations evoke the era and give dramatists ideas for appropriate costuming and props. Browsers interested in medieval life will gravitate toward this title, while history buffs will be thrilled by the chance to make history come alive through their own voices.-Alana Abbott, James Blackstone Memorial Library, Branford, CT Copyright 2007 Reed Business Information.

Rebecca Caudill Awards

The Best School Year Ever

by Barbara Robinson

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Book list Gr. 3-5. Although neither quite as hilarious nor as unexpectedly moving as The Best Christmas Pageant Ever (1972), this sequel will still have children laughing out loud at the Herdmans' antics and believing that even such remarkably bad kids have some good qualities. The school year provides the framework for the story, narrated by Beth, who has Imogene Herdman in her class. As soon as the teacher announces that the yearlong class project will be "Compliments for Classmates," which involves writing down the other children's good qualities, it's inevitable that Beth will draw Imogene's name. And what do you say about a girl who swipes a classmate's baby brother, draws pictures on his head with markers, and charges folks a quarter for a look at the Amazing Tattooed Baby? Yet Robinson doesn't just play the Herdmans for laughs. Beth's identification of Imogene's strengths gives the book a level of humanity that makes the novel more than a series of humorous anecdotes. Readers can only hope that the Herdmans will not reform--at least not until after a few more sequels. Few characters in children's fiction are so unredeemed, so uncivilized, and so out-and-out funny. ~--Carolyn Phelan

Publishers Weekly The many readers who have laughed out loud at Robinson's uproarious 1972 novel, The Best Christmas Pageant Ever , will enthusiastically welcome the return of the six cigar-smoking Herdman kids. These six waste no time bending rules: they break them outright. While the original story centered on the church Christmas pageant, the sequel has a broader focus, paving the way for more varied misadventures, virtually all of which the Herdmans craftily orchestrate. Among the dastardly deeds are the siblings' kidnapping of a bald baby, whose head they ``tattoo'' and show to other kids for a fee; their attempt to wash their cat (which is ``missing one eye and part of an ear and most of its tail and all of whatever good nature it ever had'') in a laundromat machine; and their ingenious sabotage of the school's Fire Safety Day observance. In one of the funniest scenes, cunning Imogene Herdman comes to the rescue of a boy whose head (thanks to Imogene's brother) is stuck in a bike rack: she flattens his prominent ears with Scotch tape and slathers his head with margarine so it slides through the bars. If this novel doesn't have quite the consistently razor-sharp repartee of its predecessor, it comes very, very close. Ages 8-up. 50,000 first printing. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 3-6-The long-awaited sequel to the popular The Best Christmas Pageant Ever (HarperCollins, 1972). A dangerous, shifty, fearless, cigar-smoking family of thieves and fight-instigators, the horrible Herdmans are distributed one per grade at Woodrow Wilson Elementary School, and it is unclear whether junior high or jail will be their next step. Sixth-grader Beth Bradley, the narrator, has the misfortune of drawing Imogene Herdman's name for a class project in which students must think of ``Compliments for Classmates'' at the end of the year. How will she find something good to say about Imogene? Just as the Herdmans discover something about the meaning of Christmas in the first book, Beth and her classmates realize that there is good in everyone-even in Imogene Herdman. While Beth's vignettes of the school year are hilarious, this story lacks the tension of the earlier novel, created by the build-up to the climactic event of the pageant. Nevertheless, this book is certain to be a hit with fans old and new.-Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.